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Showing posts with label turbo goth. Show all posts
Showing posts with label turbo goth. Show all posts

Wednesday, December 27, 2023

Best Of 2023: The New Music Year In Review

2023 was another stellar year of new music reviews here at DaveCromwellWrites.  As we come to the end of it, the annual Best Of is now presented for perusal.  Each month's entries are covered, featuring the best of the best artists who put out compelling new recordings.  Old favorites stand alongside brand new entries, all deserving of the in-depth analysis they received.  What ties every one of these artists together is their own high level of recording acumen and overall creativity.  With that said, dig in to the 2023 Best Of DaveCromwellWrites Features.    



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Wednesday, January 18, 2023

Inviting Reviews of Audio and Video Releases + Upcoming Live Shows

As the first month of 2023 continues to unfold, new video creations on already beloved songs dominates this January DaveCromwellWrites entry.  Audio innovations of expansive ambient explorations also receive deep listen thoughts and analysis.  Finally the commencing of noteworthy live-show tours are noted here as well.  It all adds up to an exciting entry into this continuous flow audio and video innovations.


This month kicks off in style with a brand new Official Video Release from one of this sites favorites – Turbo Goth. Having written a number of reviews on their releases over the last four years, news of their latest “high gloss” video comes as a welcome treat. Creating a stunning visual accompaniment for their song “Ready For Something New” shows the New York City living, native Philippines duo of Sarah Gaugler and Paolo Peralta expanding upon their hypnotic audio and visual appeal.


With quick cut visual images commencing along the song's opening distant muffled voices, we see jewelry on a dresser, the duo in a red rowboat and then sleeping against the dresser with an ornate ink drawing in view. A hand momentarily picks something off the ground and a golden phone flashes into view. Silver streaks of glittery makeup are displayed on each of the members eyes. A gorgeous shot of the duo on a pier looking out on a tranquil lake is offset by Sarah's glamorous attire (including silver high-heels). As the duo rises from their slumber and cut to rowing on the lake, the track commences in full with cascading title-line vocals over a dreamy, trip-hop feel. The golden phone reveals its purpose with Sarah delivering her vocal line “let me know when you're on your way” into it, as the duo looks resplendent all in white.


A compass appears as an item of significance as does a single white card with symbol on it, serving as code and clue for the journey ahead. Pairing with the lyric “it seems like we both like the same things – the same dreams,” are images of the all-in-white duo strolling hand-in-hand through a field. These stylistic impressions enhance the audio's shuffling electronic percussion and chillwave vibe. Lyrical statements “I wanna watch the stars with you” evolve into “I'll drive us to the Milky Way.”


A variety of camera lens techniques like moving the duo in and out of focus emphasize an overall dreamlike quality. “Hold on to the sparkles in the air” is one more magical line, juxtaposed against images of intricate tattoos and Paolo's guitar. Kudos to the director and cinematographer Michael Gaugler for all of this stunningly beautiful imagery. Also props to Patricia and Michael for the incredibly unique wardrobe design. The ultra-glamour in natural settings makes for a perfect combined modern fashion and spiritual experience. Sarah wearing heals to go rowboating and impossibly long eyelashes are both amusing and stimulating visuals. Finally the video credits a “special appearance” by “Josie” - who most certainly must be their equally gorgeous cat.


Check out this strikingly beautiful video (and song) here:

 

Follow Turbo Goth via their Socials - Official Site - Facebook - Instagram 

Previous Reviews of Turbo Goth can be found on this site here, here, here and here.

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Unique electronic multi-instrumentalist Matt Catling writes, records and releases music via his project name Under The Sun. Based out of Suffolk UK, the just-released three track “Ocean Breeze” EP is on much respected Shoredive Records imprint. Mixed by Darren Barnes (Trillion) and mastered by Simon Scott (Slowdive), the result is an exceptional sonic achievement of experimental creativity, and ambient instrumental explorations. While the artist namechecks My Bloody Valentine, Seefeel, Boards of Canada, Just Mustard and Jesu as points of reference, Holger Czukay and Ulrich Schnauss also come to mind. Detailed track-by-track descriptions follow below.


Your imagination and meditative thoughts are immediately engaged when listening to opening (and title) track “Ocean Breeze.” With the choppy-water cover-sleeve image providing an initial visual guide, rising synth pulses echo it's descriptive title. Swirling within distant alarm-like oscillations are softly whispered voices. An electronic percussive beat commences within the churn, floating forward and then back into mix. It disappears completely at the minute-and-a-half mark, leaving only an ambient void – before all the previous elements drift back in. One interpretation of it all might be the actual hypnagogic state-of-mind experienced after a lengthy time lost at sea. Similar hallucinatory accounts have been chronicled by super marathon runners (which last for days) or any kind of lost-in-a-natural-setting over a length of time. A brief rush of harsher metallic sound is injected near the end, before everything quietly dissipates into the wind.


Second track “Whirlwind” continues these ambient explorations using uncomplicated percussion patterns and an atonality within its overlaying sonic atmospheres. The audio equivalent of wind blasts develop alongside a singular flute-like slow-moving melody. Distant vocal incantations emerge once more, adding an element of possible ceremonial magic. The layers become thicker – denser – before allowing space again for coarse guitar bursts and those mysterious chanting voices.


Final cut “Soft Focus” slowly rises up out of the abyss and is subsequently met with unadorned chiming guitar strokes. As the aural surroundings commence to billow up, additional motorik drumming and muffled vocalizing stream into the mix. Bass guitar notes become noticeable just past the compositions midpoint, with percussion and the more dissonant audio turbulence momentarily subsiding. The final minute emphasizes all the elements previously described, before wafting away to nothingness.


Check out this surreal audio journey here:


Connect with Under The Sun here on Facebook and Instagram.

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Longtime popular recording and live show Canadian rock band The Trews are about to embark on an international tour. Having shared stages and/or rubbed elbows with legends like The Rolling Stones and Jeff Beck (gone too soon, but never to be forgotten) the US leg of their “I Wanna Play” shows begin next week, with a stop at New York's City Winery on January 25. With the recent release of their latest album “Wanderer,” expect to hear a substantial number of those new songs at the shows.


Their most recent video and single release from the album “Enemy” is a chiming pop-rocker built over descending chord progression and prominent bass-guitar line. “I know what it's like to be – the enemy. I will never be set from – of what it's like to me” is how the opening, self-reflective lyrics go. With that refrain serving at the songs repeated focal point, alternate rhythms on each verse steadies out the pace into a more-forceful guitar chug, while lyrics expand the tale. “Sad child with your heavy eyelid – looking out at the lonesome highway. For 20 years you've seen this coming” - with the big, repeated, full band emphasized-accent resolution “Open Up Your Eyes.” Quickly followed by the question “are you sure that you're alright?” The production is big, bold and impeccably recorded -as good as this sound can get. The video is top notch as well, showing all the band member in a live-like setting, with subtle overlays and close-ups for clarity and emphasis.

Check out this killer track and video here:


As stated above, the band begins an East Coast to Midwest leg of their tour soon, and all the tour dates are listed here. 



Connect with the band via their Socials  and PR Rep via these attached links.

Official Website - Facebook   One In A Million Media: Official Website - Facebook - Instagram 


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Last summer, news broke about a new musical collaboration between multi-instrumentalist Darwin Meiners, former Violent Femmes drummer Vincent DeLorenzo and none other than long-time fave David J (of Bauhaus and Love & Rockets fame). Dubbing the band “Night Crickets” (the name taken from a conversation relating to something filmmaker David Lynch said), the full-length album “A Free Society” eventually made it's way into the world. Included with that news was a video for early release track “The Unreliable Narrator,” which received a detailed review here on this site. Positive responses to that warranted it's inclusion in the Year End Best Of Review right here. A brand new video has just been released for the album title-track “A Free Society,” which has been produced and directed by Ramzi Abed. Once again we focus our analytical point of view on this audio and video release.


Building around the albums percussion driven, tom-tom and shaker enhanced jungle-rhythms (you can almost picture the “crickets”), dominating bass guitar lays out a progression while quick images of the bandmembers putting on (or already wearing) sunglasses come into view. Shifting to a cigarette wielding David J inside what looks like an old school tv set, (and looking more like William S. Burroughs as the days go by) he begins reciting the song's lyrics. “Image if you will, a free society – where the empty horses can run wild and ad hoc. Without fear of variants – variants of concern.” Darwin reappears holding his six string Rickenbacker, and the chord change with David's harmonized “A Free Society” chorus is delivered. David continues “where the conversation is between Juliet and The Thimble” against images of $100 dollar bills in mysterious hands. The tracks most poetic (and curious) line is next “and Oumuamua' is visiting from a galaxy far, far away,” depicted in brightly lit, upward gaze imagery.


Snare drums kick in right in sync with Victor's triptych image, as the cash is shown burning with flames similar to the those on the album cover. An organ joins the audio mix and David continues these lyrical musings with “where the boss and the frail pagans can be at peace, in the house of heat.” The money continues to burn as does David's cigarette while images of the other bandmembers float in and out of view. Credit this pitch-bended, twangy guitar figure as catalyst for a hook entry into the title-line chorus. The drums become more clattery and guitars develop rougher edges while images of Mr. J and his bandmates flash into view. The final descriptive lines are revealed as “where the voice coil comes down the Traceaphone. And the Dark Watchers, Los Vigilantes Oscuros' are listening to . . .” Whispered – dramatic pause - “. . . Night Crickets” as David holds up the album cover. The cash continues to flow (and burn) and is that “Juliet” we see there briefly?

Check out this very cool song and video currently streaming on the bands Facebook and Instagram pages. 
 

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Once Upon A Time In New York City

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Wednesday, December 14, 2022

Best Of 2022: New Music Reviews and Interviews

2022's final month offers a time for revisiting music reviews composed and compiled here on this site throughout the year. The annual “Best Of” highlights those notable artists written about since January. A concise listing focused on each months entries in sequential order brings attention once again to the most engaging releases of 2022.
  

With the New Year came a fresh crop of album and single releases that were followed by full-length recordings later on. Most of these artists have been developing their individual style for a number of years. Featured on indie labels with consistent track records, the first month of 2022 saw this site digging in to a variety of creative songwriters and sound designers.


Frequent contributors to this site Big Stir Records rolled-out their first major album release of 2022: “Darling Please” from acclaimed North Carolina singer-songwriter Chris Church. A remastering of songs recorded a number of years back, the artists re-imagined his original vision aided by modern recording studio facilitation.


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Along with the lyric-heavy vocal music frequently reviewed here, this site has also made it a point to feature quality instrumental releases at times. The Seattle-based soul-jazz groove machine Delvon Lamarr Organ Trio first released the single “Don't Worry 'Bout What I Do” and full album Cold As Weiss via Colemine Records.


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Good Eye Records introduced an exciting new track "Boscobel," which served as the first single from new to this site band Sooner's debut album, Days and Nights. Sooner specializes in blending alternative rock, dream pop and gaze with romantic female lead vocals.


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The Kool Kat Music label released “Wish I Could See” by Cheap Star. Fronted by Swiss-French musician Remi Vaissiere (who wrote, sings lead and plays guitar on all the songs). A distinct 'Americana/Powerpop' vibe runs through it all due to the artists long-time relationship with seminal late 80's/early 90's Posies frontman Jon Auer. Brought in to produce and mix the record, Jon also plays a variety of guitars and keyboards on nearly all of the tracks. The Posies connection doesn't end there as respected drummer Brian Young (a member of that band during their major label years from 94-98, before moving on to The Fountains of Wayne and then The Jesus and Mary Chain) delivers outstanding percussion on every one of these new songs.

 
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The music of Dead Leaf Echo is no stranger to this site, having covered their recordings and many live shows for over a decade. Notwithstanding some personnel changes one could hardly be surprised at over that length of time, the current lineup has been relatively steady the last few years. After completing their first Latin America tour, they released a six track EP. “Milk.Blue.Kisses.And.Whalebone.Wishes” is the mysterious and poetic title, serving as something of a hybrid to the song titles on it.


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Austin, Texas heavy-groove blues-rockers The Dizzy Bangers received a detailed analysis on their song “Painted Bruises,” which displayed an advanced level of musicianship and lyrical mastery within the heavy rock genre.


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Equal measures of industrial electronics, heavy rock, seductive vocals, black-clad fashion glamour and spirituality are woven together in the music of Turbo Goth. As popularity continues to grow in both their native Philippines and adopted home of NYC, the duo of Paolo Peralta and Sarah Gaugler released their album “Awakened Imagination.”


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The always busy Brighton, England based Shore Dive Records contributed this month, promoting their 111th release featuring Stockholm, Sweden's We.ThePigs. This full-length album highlights a lovely collection of female vocal dreampop, harsh Sonic Youth-like guitar noise and even a JAMC “tribute” as well.


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Enticed to check out the music of already established indie rockers Star Collector proved to be a prudent endeavor. Working in the classic 4 piece, two guitar, bass and drums formation, an impressive level of vocal harmonies lift them above rudimentary “garage band” status.


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The folks at Shoredive Records seem to instinctively knows what will fly here at this site. Offering the labels 116th release featured an artist out of Chicago called “Glitter Assassin.” That cool name along with the promise of noisy guitar layered indie pop with a heavy gazer influence received the full DCW analysis.


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Respected Label BIG STIR RECORDS rolled out the first in a series of singles highlighting Finnish power-pop guitar group The Bablers. An appropriate CromwellWrites deep-dive ensued.


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An interesting musician recording under the name Friends from Moon released a concept album titled “Astray.” It's epic and incendiary track “Marvels beyond Madness” garnered intense listen and review.


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The Rosie Varela Project released their album “What Remains,” with its single track “Fault Line” receiving a wordy investigation.


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Four exciting new audio and video releases summoned attention for the month of May . Storied legends with lengthy discographies (still going strong) share space here with newer established artists along with debut entries as well.


Legendary gothic death-rock pioneers Christian Death have a long history that dates back to their original formation in the 1980's. Equal parts adoration and controversy have continued to surround them ever since. Featured track and video for “Beautiful” from their 17th studio album “Evil Becomes Rule” received primary focus.


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Inspired by a 75 million year old rock formation in Thailand that when viewed from above, create the visual illusion of a family of whales, 3 Robots Records indie label artists Sueño con belugas released their epic track “Normal.”


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With the release of her latest album “Tresor,” the evolutionary vision of musician Gwenno reached a new pinnacle. The title track and it's accompanying video provided a unique journey into her Cornish and Welsh history.


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A collective calling themselves Seedsmen to the World released their debut album on Blue Arrow and Birdman Records. Combining elements of trance-drone and folk music, it's offbeat qualities sparked further investigation.


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Frequently featured label Patetico Recordings returned to the DCW realm with a new collaborative effort Heliocentric Overdrive and their debut EP “Weightless.” Their melodic-pop tracks are fuleed by a precise and frenetic delivery.


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If it seems like there is yet-another Shoredive Records artist being featured here on this site every other month or so – well, that's because it's true. One of the busiest, most-consistent labels out there, something new, exciting and previously unheard of appears in our listening sphere that simply can't be ignored. This time it was mysterious dreamgaze from Montpellier/Paris going by the name 40 Days Without Water.


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Another independent label discovery was the Peruvian based Chip Musik Records. It specializes in ambient, electronic, chillwave, experimental, glitch, dreamgaze, vaporwave and experimental artists from all over the world. Their release Lego 15 – Pulsos de Bosques (Forest Pulses) is an extensive collection of music from Central/South American and other international locales.


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Sometimes a record is released in a low key manner with little fanfare, and the band moves right to playing live as a means of showcasing this new material. Such was the case with Tight Lips debut EP, which was released at the end of March. With bands and audiences reconnecting at live shows again, the opportunity to focus on this previously uninvestigated recorded music presented itself.


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The good folks over at Big Stir Records released a full-length album by LA psych-pop rockers Maple Mars. Titled “Someone's Got To Listen,” it's the band first album in over a decade, and debut for this label.


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Andres Alfonso Lugo is a Baltimore-based recording artist who's work has been featured here on DCW numerous times. While those previous reviews focused on the bands he belongs to, the current work here being delved into is his solo project Los Dientes Hundidos en la Garganta. With that phrase translating into “the sunken teeth in the throat,” the music created is less ferocious (though still quite powerful) than that expression would suggest. Andres provides guitar, loops, programmed drums, bass and synth, while enlisting contributions from Ferran Pont Verges (Die Noia Futuriszka) with guitars, voice and mixing on "Loops of Energy."


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Receiving news about a new project involving long-time fave David J (of Bauhaus and Love & Rockets fame) is always welcome. Busy as he's been over the last few years with revived live shows, hearing about brand new songs and group collaboration peaked curiosity. The debut album “A Free Society” by newly minted combo Night Crickets also includes Vincent DeLorenzo (from Violent Femmes) and multi-instrumentalist Darwin Meiners. Drawing their name from a conversation about something David Lynch said, the recordings came together via audio files shared between Los Angeles, Milwaukee, London and San Francisco. Their music video and song “The Unreliable Narrator,” received a detailed review.


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An inquisitive individual who records and plays live music under the moniker 77 Apes caught the attention of DCW through their steady persistence. It is a solo artist endeavor where lyric-heavy songs are accompanied by acoustic and electric guitars, fleshed-out with background rhythm tracks.


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The original full review writing on all of the above bands (complete with links or song embeds) can be found here.

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Longtime friends of this site The Stargazer Lilies released a video for first single “Bending The Lines” in advance of their 5th studio album release “Cosmic Tidal Wave” via Floravinyl Records. The track and video receives appropriate fragmented windswept reverie.


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The steady output from Philadelphia's Patetico Recordings assures ample opportunity for frequent reviews here on this site. This particular month saw the release of “From the ashes” by Stellarscope, which featured a precision review of single track “All the lies.”


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Influential bands of the 90's continued to re-emerge with new material, which was welcome news to audiences who have missed them. Consider the Portland trio – No 2 – back with their third album, but first in a number of years. Fronted by Neil Gust who originally shared songwriting duties in Heatmiser (along with Elliott Smith), No 2 rose out of that bands ashes in the late 90's. The album titled “First Love” was released on Jealous Butcher Records.


Heavy blues rock has always been a particular favorite here at this site, and nobody does it better than Austin, Texas-based The Dizzy Bangers. Though relatively new here to the DCW orbit, a number of reviews have already made their way into prior features. The band returned once again with a new video release for their song “Painted Bruises,” earning additional commentary and analysis on it.


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Turning attention once again to one of Shoredive Records releases found this site focusing on the recording project Xeresa. Simply titled “IV” (as in album number 4), the fully named Nicolas Pierre Wardell (previously only known as Label boss Nico Beatastic) serves as the bands primary catalyst. Painstakingly recorded between 2019 and 2022, each song features guest vocalists, some who have full releases on the parent label. Each track was built in the more common now than ever way of sending instrumental basic tracks to each respective artist for their creative additions (predominantly vocals).


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UK Power Pop Rockers It's Karma It's Cool released the track “A Gentle Reminder,” accompanied by an in-studio style video performance, providing visual imagery of the band performing. This perfect slice of powerful pop music received a full DCW breakdown.


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It had been a year or two since new Lunar Twin music entered our universe. The enigmatic west coast duo returned with “Beyond The Sun,” the first single release from their upcoming album “Aurora.” Bryce Boudreau (vocalist/songwriter) and Christopher Murphy (multi-instrumentalist/producer) continue to expand on their sonic vision with this new material. “Beyond The Sun” received a close listen and complete review. A full nine track album is due soon, with another track “Android Dreams” available now to acquire and listen to.


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Returning here for another review is the work of Baltimore-based recording artist Andres Alfonso, who makes solo music as Los Dientes Hundidos en la Garganta. While that phrase loosely translates to “the sunken teeth in the throat,” Andres composes his ambient works with guitars, bass and heavy looping. What comes out of that are wonderfully dreamy experimental ambient electronic soundscapes. The second single “Configurations” from latest album “Infinite Past” on Jak Jonson Tapes has recently dropped, and got the full review treatment.


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An in-depth Interview and hotly anticipated EP Review shared space with two full-length, track-by-track reviews from trusted labels and artists. With one returning and another first-time creator receiving detailed analysis on their latest recordings, the quest to make sense of it all carried on without limit.


When press releases about a new band called The Buckleys started showing up via email over the last two years, an appreciation for the music and image they were producing was instantly felt. With the band recently coming to New York, Nashville and LA for press stops and personal appearances, I was honored to catch up with them for a face-to-face interview.


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Back in May of this year, ambient dreamgaze collective Sueño con belugas were reviewed here on DCW for their introductory track “Normal” in anticipation of upcoming album “Memoria Cósmica.” With the release of that full eight song album, a chance to dig deeper into their sound presented itself.


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Bookending Big Stir Records first major album release of 2022 (as mentioned here at the beginning of this Feature) was their final release of the year, “Sounds In English” by Sweden’s Richard Öhrn. Best known as the guitarist and one of the songwriters for the indie pop band In Deed, this release serves as his solo debut.


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The Kings and Queens of that glorious Astoria music scene – GIFTSHOP, performed two notable live shows that certainly qualify for “Best Of 2022” designation. Back on the final day of April the band played at Otto's on NYC's lower east side as part of a benefit to aid Ukraine.

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Treating the audience to many of their classic tracks like “Despicable,” their careful selection of classic covers contribute to a total live show experience. Check out their glorious rendition of The CarsJust What I Neededon this night right here.

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A more recent show went down earlier this month at beloved Astoria, Queens venue The Shillelagh Tavern. With dazzling frontwoman and lead vocalist Meghan having morphed from platinum blonde to bright-fire redhead, the band ripped through another killer set of originals and choice covers.


Opening with perennial favorite “Purchase,” they hit the ground in high gear and everything was “soo good – soo good.”


Was great to hear an updated version of “Same” which also included room for Jordan to showcase his drumming skills. There was the how-does-she-do-it hyper-speed vocals on “Things I Feel.”

Damian and Matt - axe-slingers on the corners.

Other enjoyable tracks played were "Stylish Junkie," "Spooky Halloween Christmas" along with bring-the-house-down covers of "Creep" and "Only The Lonely" (a clip of which can be heard at the end of this Instagram Post here).

All Aboard For Fun Time!

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