Primary Singles Reviews of New Music Releases

 Singles provide the focus for this month of April, spring bloom DaveCromwellWrites Feature. For every EP or Album release, there is often one particular or current song that serves the artists best as an introduction to their latest music. A broad field of geographical locations and sonic styles are covered in the reviews below. While frequently covered genres of dream-gaze and power-pop remain a constant, explorations into prog, symphonic and harsher metal appear as well. Familiar labels present new recording artists, while others find their way in on their own.

The folks at Shoredive Records are at it again, and instinctively knows what flies here at this site all too well. Their “new format, straight to the point” pitch method brings news of the labels 116th release featuring an artist out of Chicago called “Glitter Assassin.” That cool name along with the promise of noisy guitar layered indie pop with a heavy gazer influence will always garner a listen. The epic in length, six and a half minute lead single “Burning Next To Mine” ticks all the right aforementioned boxes, and as such receives full DCW analysis.

Deep twangy bass notes lead everything in as synths rise up from nearly inaudible to a loud dynamic swirl. With an electronic percussive clack the lush guitar melody begins in earnest, transporting the listener back to the golden age of late 80's/early 90's dreampop romanticism. As vocals begin with the line “criminals we lay, right next to defeat,” the tone and cadence is reminiscent of Richard Butler's impassioned rasp in his band The Psychedelic Furs. That touches of Bowie can also be felt makes sense as Butler was inspired by the Blackstar Alien as well. The guitars are used for maximum effect as echo lines following many of the lyrics presented (an excellent technique) and the bass guitar maintains it's necessary presence. If there's one slight criticism, the drum track is somewhat rudimentary. It could certainly benefit with a Colm Ó Cíosóig or Loz Colbert on the skins, but then again – any band would welcome those guys!

However the track lifts off to another stratosphere on the gorgeously lush chorus that begins “we can feel it taking over.” The pure shimmer of guitar chords propelling this beautiful melody forward perfectly captures the essence of Robin Guthrie's work with The Cocteau Twins and all the bands that followed him. As the chorus unfolds to reveal the song's title, the been-there-before sense that even in the act of lovemaking, some secrets still remain, with “your lies, burning next to mine.” Other elements creating delightful sonic experiences are things like the reverberated single guitar note Raveonettes-style breaks immediately following the chorus. Verse two delves further into visions of “heaven” and “deceit” while providing the albums overall theme of “stripping your beliefs.” A sudden dropout at the 4:23 mark leaves no other sound than a hum and tick, before bass guitar and snare drum rattle leads it all about in for the triumphant final choruses. Again, intuitive placement of descending/ascending guitar lines on this outro adds another level of exquisite melody to it all.

Listen to this incredible track below and find out how to acquire the full release here:

Connect with Glitter Assassin on their Social Media here and Shoredive Records here.

*  *  *  *  *

Respected Label BIG STIR RECORDS rolls out the first in a series of singles highlighting Finnish power-pop guitar group The Bablers. Previously released in Japan and Finland only in 1998, the track "You Are The One For Me" has been newly remastered for a full global reissue in 2022. This lead single is from the forthcoming reissue of a newly remastered edition of the band's second album “Like The First Time.” On the single's original release, it garnered heavy airplay in Japan and received product placement attention while being broadcast during the heavily-viewed Tokyo marathon. Now remastered for release to new territories in a new millennium, this first track begins Big Stir's unveiling of the “lost” middle chapter of THE BABLERS' career – the Japanese Saga.

With snare drum and rolling toms intro, “You Are The One For Me” instantly kicks into power-pop gear as chiming/buzzing guitars mark out its upbeat progression. Singing the opening (title) line with John Lennon-esque tone, subsequent lines “you really turn me on” and “your eyes your eyes” double down on the captured spirit of early Beatles. Hitting the first change a half-a-minute in, “I never thought that this could happen” and “I never thought that this could be real” are separated by chiming Rickenbacker-style jangle. Further segments immediately follow - “oh, no no no” with punctuated chord changes “not for me.” Expanding the lyrical story about “a beautiful girl” and “proud that she loves me,” liner notes reveal it was written for a friend's wedding as a testament for their future life together. There's a sense of sheer joy in the instrumental sections that show how guitars, bass and drums locked together are all you really need for a perfect pop song. Add in those aforementioned Lennon/Beatlesque vocals (and jubilant lyrics) – with just a touch of keyboard harmonium melody enhancement in just the right places, and you have the ideal recipe for this magnificent song.

Check out this beauty here:

 

Find out how to grab this single here:

Keep in touch with all good things Big Stir Records here.

*  *  *  *  *

Social media promotion can be as much of a “message in a bottle” (washing up on some distant shore) than intentional direct hit occurrence. An interesting musician recording under the name Friends from Moon found this site by searching Instagram hashtags (#musicreviewers, etc.) Knowing this is beneficial to all who are in need of connection in this regard. The artist in this particular instance is based out of New Delhi, India and specializes in Prog/Symphonic Metal, Alternative Rock, Soundtrack and Electronic/Ambient Music. Ritwik Shivam developed his band name after a hallucination trip under a full moon (a powerful force where “friends” can in fact be detected). His latest release “Astray” is a concept album in it's truest sense, covering themes of identity crisis, human decadence and alienation.

After prior singles releases, the sixth and penultimate storytelling track “Marvels beyond Madness” now arrives with a brilliantly animated lyric video. Clocking in just under 7 minutes in length, there is ample room to develop and expand upon a variety of musical themes. With the opening minute building out of foreboding ambiance, the sounds of industrial hum, tubular bells, rushing wind, clanging notes, and garbled noises of otherworldly nature serves as the basis for what follows. As metal-heavy math rock riffs commence adjacent to hyperspeed percussion, rough-hewn vocals commence with the story unfolding. “On my land – who's the butcher? Plague on the kin – betraying your creator” serve as the opening lyrical salvo. In keeping with the albums overall conceptual theme, the protagonist is confronted by a Lovecraftian monster-like entity which is, throughout, a metaphor for the darkness inside him. Just two minutes in and a number of distinct structural are experienced, with heavy guitars driving rhythms in frantic rising and descending directions, as drums pummel away in ferocious speed-metal patterns. The two and a half minute mark focuses solely on a :15 second space-rock guitar interlude (minus any backing) before returning to a full-on death-metal barrage.

Three and a half minutes in ushers in yet-another sonic change via an instrumental interlude that emphasizes keyboard chords, muscular percussion underneath and a rising bass guitar and is reminiscent of Chris Squire's dominating work with his band Yes. “Light a flame, just follow your instincts” commences the next driving metal section. This become more orchestral as it expands, with call and response vocals on lines “light a flame” followed by “quit running away.” Another cinematic plateau is reached at the 4:15 mark with everything dropping out once more leaving only the ominous sound of a void surrounding you. Chugging electric guitars return after :15 seconds or so, which suddenly leads into more defined thick buzzing metal guitar figures. Precision piston drums return along with another round of storytelling vocals that marries elements of what Rob Zombie does with more complex structures. Final vocals touch on the title line's meaning “show me your secrets – marvels beyond madness” and a resolution where death is no longer feared, in order to belong to a home.

Check out this incendiary track in all it's epic glory here:

Find out how to Purchase/Stream "Astray" via this link

Follow on their Facebook and Instagram

*  *  *  *  *

Back in November of last year, this site reviewed the album “Winter Skin” by psychedelic dream pop and gazey indie music band EEP. The El Paso, Texas collective is now back with a side-band release called The Rosie Varela Project.  First single “Fault Line” from the coming album “What Remains” is now out and receives the DCW review below.  Additional singles are scheduled for future release leading up the full album drop on June 3.

Grainy synths and acoustic guitars open the current single “Fault Line.” Gentle background vocal “ahhhs” and tinkly piano work their way into the mix, adding to the moody atmosphere. Lead vocals commence in a soft, breathy manner as Rosie sings “He’s a fault line - He only wants to shake you up.” As the vocals develop to a fuller projection, drums emerges underneath the still floating ambiance. A bolder voice emerges with an impassioned “Hold on” segment, where those words are repeated with impressive nuanced distinctions. As the story unfolds, a sense of wary caution becomes evident with each passing line. Things get quiet at the two minute mark when the warning “so hold your breath” becomes a mantra lasting for a good twenty seconds.  At that point full instrumentation returns with ardent vocals singing out in full imploring to “let him pass by.” The sonics behind fill in with wonderful swirling motion, synths, rising background vocals and an overall psychedelic Sgt. Pepper-like feel.

Listen to this fantastic track here:

Connect with The Rosie Varela Project on Bandcamp and Instagram.

Check out this previous review on Rosie's other band EEP and the album "Winter Skin" here.

*  *  *  *  *

Best Of 2021: The New Music Year In Review

2021 featured a steady flow of new music here on this site, from both long-time faves and first-time reviewed artists. A return to live show coverage began mid-year, with recorded music still making up the bulk of detailed analysis. Compiled here in monthly chronological order are the most compelling features that represent “DaveCromwellWrites Best Of 2021.”

Early January dipped into the bottomless well provided by Shore Dive Records, with the stunningly beautiful album “Summerheads And Winter Beds” by The Raft. Conceived by songwriter and multi-instrumentalist Phil Wilson (who has been writing, recording and performing under the name The Raft since 2003), an elite group of dreamy female vocalists are employed throughout the album, providing necessary lush counterpoint to Phil's own voice.

-  -  -

Another release at this time from Shore Dive Records was the debut EP by French duo Tender Tones. Cleverly titling this record “Youth Retirement Club,” Manon Deruytere & Maxime Pargaud delve into the nostalgic side of gaze, synth and dreampop. The Ep serves as a partnered co-release between ShoreDive and American label Somewhere Cold Records.

-  -  -

The specialty music publicity brand New Dark Ages PR has also provided a steady stream of new and established artists to this site. Focusing on Gothic/Industrial, EBM, Black/Death/Heavy Metal and Hard Rock, there's always something compelling to dig in to. The January entry on DaveCromwellWrites radar was Goth-Industrial artist Night Terror, with their new full-length release “Freak On The Inside.” This solo work of musician Jeff Heveron presents a unique blend of deep goth-style vocals (straight out of the Peter Murphy school) with synth-driven industrial grooves.

-  -  -

Full reviews on all of the above can be found on this site right here.

*  *  *  *  *

Pulling together a collection of songs written and recorded over the past two years, Indiepop veteran Tom Lugo released the Panophonic album “AWAKENING” during the month of February.  The Philadelphia based musician has been running his own independent Patetico Recordings label for a number of years now, putting out a steady flow of albums, EP's and singles with a variety of bands and collaborations.

-  -  -

Another album finding it's way into the DCW realm during the month of February was the retro psych-pop “A Dream Without Color” by Long Island's own The Crushing Violets. The record features six new original songs as well as a cover of the 1966 hit “A Groovy Kind of Love.” Placing emphasis on vocals and storytelling over any kind of extended instrumentals, most songs clock in under three minutes in length, with one each cracking three and four minutes respectively.

-  -  -

Link through to the full feature on the above bands here.

*  *  *  *  *

It's easy to see the appeal of Queens, NY-based edgy power-pop duo Yo Kinky. The duo of Laura Wight and Tom Unish created an enticing five song EP that came accompanied by a number of attractive, cleverly realized videos. Released at the end of February, a full track-by-track review lead off the month of March DCW Feature. With guitars, keyboards and drum machines providing the musical foundation for each excellent song, Laura's lyrics and vocals helps to set them apart from many other male/female duos.

-  -  -

A much needed (now more than ever) new organization called Freedom Of Creativity connected this website with an excellent band out of Austin, Texas – The Dizzy Bangers. Fronted by guitarist and vocalist Jimi Dharma, the music combines rock and roll with grunge, blues and psychedelia. One of their releases at this time “Under The Sorrow” came complete with an impressive live-in-the-studio video, enhanced by animated effects, and garnered a complete detailed review.

-  -  -

Rob Clarke and The Wooltones hail from the UK Liverpool suburban village of Woolton.  Among other things, the area is noteworthy for John Lennon's childhood home as well as he and Paul McCartney's first meeting place. Rob Clarke incorporates elements of this history into his music, along with a variety of other influences as well. On the bands latest album “Putting The L in Wootones,” a heady mixture of 60's psych, UK/Mersey and American West Coast vibes permeate the album's eclectic tracks.

-  -  -

Follow this link for complete reviews of these artists.

*  *  *  *  *

The month of April saw three  separate recorded works receive this sites distinguished individual track analysis.

Finding their way into the DaveCromwellWrites universe for the month of April was the Burbank, California music label Big Stir Records. Based out on the West Coast USA, the label features artists from all over the US, UK, Sweden and Germany. Label runners own band The Armoires released an 18 track full-length album, initially delivered in a series of mysterious single releases that culminated in the collection aptly titled “Incognito” received deep dive track analysis.

-  -  -

Another Big Stir release - The Forty Nineteens and their album “New Roaring Twenties” peaked a level of curiosity that continued incrementally, wading through it all. Forming the band while working in the San Diego courts, they landed on a name that is something said by every judge in every courtroom in the state of California. That term is "Forty Nineteen," and a 4019 credit is time off the sentence of a detainee who behaves in jail. Their music is pure form rock and roll, that illustrious hybrid sound encompassing the 1950's collision of Country with Rhythm and Blues.

-  -  -

It's rare that too much time passes before another Shoredive Records release turns up in a DaveCromwellWrites review. This time a Russian collective calling themselves Secrets Of The Third Planet (which we all know from Jimi Hendrix's “Third Stone From The Sun” - is Earth) reissued a 10th Anniversary Edition of their EP “Lost In Reverie.” Originally recorded and released in 2011, the new-to-this-writer tracks encompass that timeless sound of all the great “gazey” bands.

-  -  -

Link to the full reviews of all these bands here.

*  *  *  *  *

Sometimes the name of a band can provide a level of confusion that often undeservingly puts them on the backburner. Take Tashaki Miyaki for example (pronounced Tah-Shock-ee Mee-Yock-ee). Sounding like a singular Japanese solo artist, the images of a willowy red haired woman as their out-front focal point and dreamy sounding vocal music never quite seemed to match up. The periodic promotional reminders (mostly via email) over the years – with the latest coming for this month of May – finally put an end to all of this procrastinating. Simply put, attention to this band that makes the most wonderfully dreamy, melancholy music was long overdue.

-  -  -

Once again trusted source New Dark Ages PR introduced another impressive artist from the depth of their diverse talent pool. The May entry, based out of Chicago as "one-woman industrial army" I YA TOYAH entered the realm via her EP, Out Of Order and video for the single, "Pray."

-  -  -

The late April release (and May reviewed here) track by UN.REAL “Sun Like Star” is a heady uptempo affair. Anchored by songwriter/musicians Hector Caolo (bass), Eden Cruz (drums) and Gardy Perez-Ruiz (guitars), lyricist and vocalist Bernice Cruz completes this dreampop quartet. The track bursts out from the first note in full bloom, with slashing gaze guitars in lavish expanse across the sonic field. The bass and drums are thoroughly audible in the mix (as they should be) pointing to impressive production values and recording techniques. Capping it all off are Bernice's deep and resonant vocals. A final minute of pure instrumental and vocal euphoria lifts this gorgeous track to it's ultimate conclusion.

-  -  -

The complete reviews on all of the above bands can be found here.

*  *  *  *  *

The recorded works of four new and innovative artists got the Croms-eye-view deep dive analysis for the month of June.

Every once in a while a band will jump out at you from the ocean waves of promotional material that comes through over the wireless here. Making note of an instant liking for a quintet with the curious name Spud Cannon, a double-back on subsequent promotional singles releases confirmed their “must review” status. The release of their album “Good Kids Make Bad Apples” shows every song exhibiting high-level vocal harmonies, catchy melodies and precision instrumentation.

-  -  -

Contributing their track “Liquid Through My Hands” to Chicago, Illinois indie-pop label Sunday Records compilation Something Beautiful, Sheffield UK based indie-gaze band The Suncharms saw their work standing out amongst like minded artists.

-  -  -

The always busy Tom Lugo continued to put out new music via his indie label Patetico Recordings under a variety of band names (both solo and collaborations). Already featuring his full-length Panophonic album “AWAKENING” here in this year-end Best Of, the June single release “The Last Time” has earned those honors as well.

-  -  -

Big Stir Records introduced another Best Of entry in the form of accomplished psychedelic pop troubadour Anton Barbeau. Specifically his single “One Of Her Superpowers” which encapsulates this artists rare chemistry in a radio friendly two and a half minutes.

-  -  -

The original full review writing on all of the above bands (complete with links or song embeds) can be found here.

*  *  *  *  *

July is always one of the best months for new music. You are deep into the heart of summer yet still far enough from it being over to have any real concern with all that. For this month DaveCromwellWrites featured both new and returning artists, all with recently released material. Horizon's were expanded with this eclectic collection.

Perennial CromwellWrites faves GIFTSHOP returned with not one but two brand new tunes. The newer written composition “More Than That,” packs more into it's barely over two minute frame than most of the repetitious, overlong excess churned out on a daily basis. Backed with “Kewl With Me,” a song that's been around for a number of years but never quite found it's way into the studio for a proper recording until this point in time.

-  -  -

Making their way onto this websites radar during this month were Brooklyn-based neo noire rock'n'rollers Toshio Band. Finding inspiration from a variety of film makers (Quentin Tarantino, Jim Jarmusch), poets (William Blake), jazz innovators (Charles Mingus) as well as literary rockers (Iggy Pop, Tom Waits) serves as a wide and disparate pool to draw from. Lead singer and bassist Tim Lavigne pilots the project through songwriting and sound design bringing all these influences together in a modern rock and roll format. Their recently self-released EP “Lock Your Doors” is a five song concept EP that explores themes of madness and melancholy in an unforgiving world.

-  -  -

Another eclectic collective weaving it's way into the CromwellWrites universe are a San Diego, California-based duo that go by the name Corduroy Institute. Having recently released a new album titled “Eight/Chance/Meetings,” the creative members adhere to an “institutional methodology” emphasizing improvisation. Additionally, their lyrics were formed using the cut-up method (or technique), which is a type of found poetry that has its roots in the 1920's Dadaists but was popularized by writer William S. Burroughs in the late 1950's and early 1960's.

-  -  -

Psychedelic documentary film-maker Matt Levin previewed a new project in the works on the life and times of influential musician, writer and painter Will Carruthers. Most psych-rock fanatics know him as an innovative bass player in seminal bands Spacemen 3, Spiritualized and The Brian Jonestown Massacre. With the clever title "Nobody Gets Fat Eating Music," Matt combined an informative live interview with brilliant animation and in-depth analysis for a uniquely immersive experience. The Cromwell breakdown on this Translove Airwaves production is fully notated.

This film received entry for showing during The Psychedelic Film and Music Festival.

-  -  -

Read all the reviews on every artist in this feature here.

*  *  *  *  *

The ability to attend live music shows out in public with your friends once again had been a long time coming. After a soul-crushing shutdown / lockdown of 2020 that continued into early 2021, it wasn't until mid-year we finally got back to in-person appearances. Summer in NYC and adjacent Long Island has always provided many opportunities for mostly-free events in open park theaters as well as clubs and restaurants. Along with a variety of recorded music both new and vintage covered in this sites August feature, came a long-overdue return to live presentation recaps.

Among her many talents and accomplishments, Laura Schaefer is an impressive singer in the soft rock, country, adult contemporary, and pop music realm. Catching a recent run of live appearances both indoor and out in the open street festival environment showed the performer captivating audiences with her nuanced vocal interpretations. Appearing on Sunday night's during these summer months at the highly-regarded Westbury, Long Island restaurant Cassariano, the duo act of Laura and Bill (with the equally accomplished Bill Blais on keyboards and vocals) entertained patrons with a dramatic set of classic cover songs.

In addition to her current collaborators and bands frequently offering guest vocal spots, Laura co-wrote and released a number original songs as the lead vocalist in a band called Blue Mile. A full review of that record appears in the August Feature.

Street festivals are always a great place to check out live music on a warm summer night. A band Laura has been doing some guest vocal appearances with are the wonderful Americana Country Rockers Tri State Alehouse.

Core members Jonathan Crist, Jeff Schumacher and Mark Ambrosino wrote, produced and released 12 original songs (and one surprising cover) on their album “Open Here” with a variety of guest co-songwriters and musicians.

-  -  -

Continuing their relentless quest for sonic excellence, Ottawa-based Paragon Cause released their third album “Autopilot.” Expanding on the auditory palette they've been building since their first two albums “Lies Between Us” and “What We Started,” (both meticulously reviewed previously here on this site) a bolder evolution in composition and sound design was delved into.

-  -  -

Full coverage of all the above artists can be found here.

*  *  *  *  *

Relationships are a significant driving force in much of what appears here on this website. Trusted record labels and artists who've previously shown appreciation for detailed analysis on recorded music meaningful to them are prioritized. Finding new composers and their unheard works within that framework will always continue to expand this overall field. Finally, losing a four-legged family member is heartbreaking, and celebrating the life-affirming years spent together is the best way to honor them.

There never seems to be too much time passing before another ShoreDive Records release finds it's way into the DaveCromwellWrites reviewing sphere. The independent Brighton, England based label provides a continuous supply of high-quality dreampop, gaze, electronica, post-rock and post-punk releases. Landing in the DCW mailbox in September was a six-song mini-album debut from Lyon, France residents Lunation Fall. Titling the collection “Near,” their mission to blend melancholic dreampop and explosive noise was fully achieved and given a full track-by-track review.

-  -  -

This past June saw DaveCromwellWrites featuring a detailed review of England's The Suncharms first preview from their 30 years in the making (!) proper full-length debut album. With the release of “Distant Lights,” ten full tracks (with two bonus cuts on the CD release) were given deep-dive treatment.

-  -  -

On September 13, 2021, beautiful boy cat Nicky crossed over the rainbow bridge after 14 wonderful years on this planet. He was the most perfect cat you could ever be so blessed to share this life with and will be sincerely missed.

-  -  -

Check out the full coverage on all the above here.

*  *  *  *  *

October caught the Cromwell range of view fully engaged on new recorded works from artists either previously featured here, or first time entries to this site. All showed musicians taking their creative ideas - much of it developed by way of live show performances over the years, and forging it into high-quality studio recordings. Each artist exhibited true emotional commitment to their respective style of music.

A band this site had been keeping a close eye on over the last year or – The So Lows released a new album ‘Times Not So Weathered,’ and received a most-worthy DaveCromwellWrites track-by-track review analysis. Led by the singing/songwriting duo of Molly Miller and Ronnie Rael, the sophomore album is the first to feature Troy Krusz on slide and lead guitars, Barron Preuss on bass guitar, and Haven Willis on drums.

-  -  -

Adam Lippman is an indierock singer-songwriter who's been close with the DCW world here for quite some time now. In fact, first contact was established nearly a decade ago. However, his long musical journey goes back much further as a member of various noteworthy bands from the mid 1990's up until recently. Inbetween he released a few solo albums and EP's, while playing well-known tri-state area clubs and festivals as a supporting member as well as fronting his own bands. Adam returned with his first new solo music in 15 years. Lead single “Sunblind” received a detailed in-depth review.

-  -  -

Finding their way back once again into the DaveCromwellWrites universe, Sydney, Australia based gazey-noise-rockers Trillion released a new single “Sure” on the 27th of October. Having covered their work extensively over the last two years (with the band making “Best Of” in both 2019 and 2020) “Sure” received a full detailed review and makes the “Best Of” for the third year in a row.

-  -  -

Read full-length reviews on all of the above artists here.

*  *  *  *  *

The best recording artists put as much creative effort into every song they choose to include on their album. While standout tracks may appear, there is a consistent quality to each track on it. Those full-length albums deserve to be carefully listened to, from first track to last. This site makes a point to review those albums track-by-track, leaving no stone unturned. It's the deep dive and detailed analysis that sparks creative exploration and new experiences. Two full albums for a total of 19 songs received the DaveCromwellWrites focus during the month of November. One more life-in-review memorial to a dearly departed animal companion closed out the month (and year) in a heartfelt manner.

Burbank, California based music label Big Stir Records continues to provide a deep catalog of wonderful new music. With their reach expanded internationally, there is a treasure trove of high-quality recording artists there, well worth checking out. The November release of Nick Frater's “Earworms” earned itself instant classic status and a complete DCW track-by-track review.

-  -  -

Another November release that received a CromwellWrites full review (and now qualifying for end of the year “Best Of”) is “Winter Skin” by psychedelic dream pop and gazey indie music band EEP. Released on the local Hogar Records label, the 9 original tracks were produced and engineered by the band themselves, with recording and mixing done at Brainville Studios in Sunland Park, New Mexico.

-  -  -

November also saw precious baby girl cat Cherry crossing over the Rainbow Bridge to be with her twin brother Nicky, after 14 years of joyous life. She was the most perfect chubby cat that ever lived and she will be missed and remembered forever.

-  -  -

Full reviews of everything in this feature can be found here.

*  *  *  *  *