Tuesday, July 7, 2009

Keith TOTP : June 5, 09 : The Mercury Lounge : New York City

Flying to the States for an opening slot in New York City, British songwriter Keith TOTP brought with him a certain thread of English arrogance that permeated through the performance. With Eddie Argos on bass and a cast of backing characters, TOTP drew from material that spans his catalog. Cromwell is back on the street and in the pit of NYC culture.


Full show review, exclusively at:



Link:
http://www.thewaster.com/MAIN/Concert%20Reviews/Keith%20TOTP/060509/060509.html





Hand signed "collectors cards" by the man himself





And the very reasonable fee they went for.





Keith - bathed in stagelight glory





Minor celebrity Jasper Future aids on guitar




As does James Rocks (and he does)




Drummer Mikey Breyer holds it all together as Keith and James soar above it all




Eddie Argos masters the mysterious numerology that is bass playing





Keith leads his band to glory






Then dazzles the audience with his adequate workmanlike guitar playing






"Do you remember how it goes?"



Rocking out like only they know how.

Wednesday, July 1, 2009

Art Brut - The New York Chronicles, 2009

Performing five sold out shows at the Mercury Lounge in NYC, Art Brut unleashed their brand of Euro rock in the heart of the American underground spotlight. I report from three nights of the New York run in a review bundle that captures the essence of the Art But live experience.


Full show text reviews and exclusive photos only at




Additionally, I caught up with Eddie Argos, front man of the band for an exclusive one-on-one interview. While supporting their latest album "Art Brut vs. Satan," Argos dives into his Pitchfork tour of DC Comics in NYC, songwriting for the masses, Van Gogh, producer Frank Black formally of the Pixies and battling Satan!



Yours truly meeting Eddie before the June 1, opening night performance.




Eddie points as lighting sparks from his eyes.




The show begins. Read the full text review here:

http://www.thewaster.com/MAIN/Concert%20Reviews/art%20brut/060109/060109.html




Eddie Argos


Jasper Future



Ian Catskilkin


Jasper, drummer Mikey Breyer and Eddie


The first night's set list


Hanging out on the streets of New York City with Jasper Future



And in front of the club with Keith TOTP

6/3/09

Two nights later I'm back at the Merc for Art Brut show No. 3.
But first, I conducted an exclusive one-on-one interview with frontman Eddie Argos.
Read it here:


Chatting with Ian post-interview (Ian showed up just as I was wrapping up with Eddie)



Additionally, spending some time with drummer Mikey Breyer, while the Mercury Lounge dog kept us company.



Read the complete June 3, Art Brut show No. 3 full text review here:

Ian



Mikey and Ian



Bassist Freddy Feedback and Jasper


Ian


That night's set list.

6/5/09

The final night of Art Brut's unprecedented, 5 consecutive night sellout at The Mercury Lounge.

Read all about it here:


Freddy and Jasper


Jasper directs and the fans obey


Fan, Freddy, Jasper and Eddie



More fans and more band



Freddy looks on as Jasper and Eddie "ooooh"



Yours truly in the audience (left side in black t-shirt) for one of Eddie's nightly forays in the crowd.


Me standing in what I consider the perfect location for maximum sound and vision.


Eddie gets up close and personal with the fans. Cromwell documents.


Its wonderful chaos and I appear to be directly behind the man there.


Sweat drenched, I celebrate with my peers.


Back on stage and a modicum of order somewhat restored.


The final night's set list.

Tuesday, June 2, 2009

Duff McKagan's Loaded 05.19.2009 The Blender Theatre:New York City

Ex-Guns N Roses and Velvet Revolver henchman Duff McKagan brought his traveling rock circus, Loaded, to New York City for a memorable evening of straightforward rock n' roll. Supporting a recently released LP, McKagan navigated through material stretching the course of his career with a culminating 15-minute improvised melody encore with current GN'R guitarist Ron "Bumblefoot" Thal.

Exclusively at:




http://www.thewaster.com/MAIN/Concert%20Reviews/Duff%20MaKagen/051909/051909.htmlws/Duff%20MaKagen/051909/051909.html




Along with Jeremy Gordon's great photos at the feature, I took a number of my own.




As well as a lot of video

Check out "Wasted Heart"

http://www.youtube.com/watch?v=y9m9iAETC0g






Here the boys play a smokin' hot version of the classic GNR tune (which Duff co-wrote)
"Dust & Bones". The place went beserk.

http://www.youtube.com/watch?v=6ydRiqBevBI





Listen in as they play "No More" from their latest album "Sick".

http://www.youtube.com/watch?v=SFJI4B5sVPA






On this one I edited together 3 clips - first where he's talking to the crowd
- then the songs "Attitude" and "So Fine."

http://www.youtube.com/watch?v=2fC7g5uJxNs





Mike Squires rocks the house





The full on Loaded effect





Duff goes shirtless - like one of his heroes, Iggy Pop
-for the "Now I Wanna Be Your Dog" Medley.




Ron "Bumblefoot" Thal joins up with the boys.






And rips some tasty fretwork






Bumblefoot and Squires mesh perfectly.





Jeff Rouse and Duff hold down the rhythm.






And the band rocks on





Sweet setlist

At the end of the show, the band (and some awesome roadcrew dudes)
handed out some of their guitar picks



Duff & Squires


And how they look on the flipside







It doesn't get any more rock & roll than that.

Sunday, May 31, 2009

Linda Draper live @ Googies Lounge/The Living Room - 5/21/09

On May 21, 2009 Linda Draper played to a packed house at Googies Lounge (Upstairs at The Living Room) in support of her latest LP "Bridge and Tunnel".



Linda with help from her band: Anders Griffen (drums) and Scott Fragala (stand-up bass) breezed through tracks from the LP




The set included her single release "Broken Eggshell"

A video of this performance can be viewed here:

http://www.youtube.com/watch?v=LeHcZjtPlzs




Other songs played were "Sharks And Royalty", "Time Will Tell", "Pushing Up The Day", "Bridge And Tunnel" among others. Draper also included a slew of new material - in particular her reading of the classic Odetta track "Sail Away Lady" which will be released this Summer via UK Magazine Wears The Trouser.



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The music press worldwide continues to praise Linda Draper's latest effort - her latest single "Sharks And Royalty" is featured in MAGNET MAGAZINE's MP3 At 3 Spotlight. Read more: http://www.magnetmagazine.com/2009/05/24/mp3-at-3pm-linda-draper/


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The full set list played



In attendance were the Planting Seeds label founders


William Hickey and Neil DelParto




Next up: Linda will kickoff her mini West Coast Tour on June 4th playing in support of Cotton Jones & The Parson Red Heads - You can pick up advance tickets at TICKETWEB (TICKETMASTER). Linda's June 8th show @ Silverlake Lounge is also available for advance purchase - pick tickets up via IN TICKETING.




Wednesday, May 20, 2009

Gliss : 05.04.09 - 05.11.09: The New York Memoirs

We follow the Los Angeles based indie trio Gliss for three nights in New York City. Performing at the Mercury Lounge, Union Hall in Brooklyn, and Pianos on Ludlow Street we are there every step of the way. We present the NYC Memoirs with recaps of the NYC run as well as an interview from the depths of the Mercury!


Exclusively at:





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Two nights later, Gliss brought their traveling road show over to the Park Slope neighborhood of Brooklyn, and the unique venue that is Union Hall.









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Spy vs Spy



Gliss:: 05.11.2009 :: Pianos






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For videos of this performance please visit:




Sunday, May 3, 2009

Lovetones/PSR Showcase, May 1 & 2, 2009

The Lovetones kicked off a US tour in support of their recently released album Dimensions with back to back shows in New York. Hailing from Australia, the Planting Seeds Records recording artists played Friday, May 1, 2009 at Pianos in Manhattan, and the following night at Cameo in Brooklyn.



The core of the band consists of frontman/vocalist/guitarist and songwriter Matthew J. Tow.
A second Matthew - Sigley plays bass, keyboards and provides vocal harmonies as well as an occasional lead vocal.




For the purposes of this tour, the band enlisted the help of Rob Campanella on second guitar and keyboards. Rob is a talented musician who has also played with the Brian Jonestown Massacre, his own band Quarter After, as well as mixing and co-producing The Lovetones latest album.




Rob provided essential keyboard melody lines at significant moments in a number of songs.



While adding guitar depth throughout the set.

Completing the quartet most capably on drums was Nelson Bragg,
who's road chops include time in legendary Beach Boy Brian Wilson's band.



Enough can't be said about the incredible harmonies the two principal members of the band engaged in throughout the show. With Matthew J. Tow's central, mid-range timbre, Matt Sigley would provide these perfect high tones that added an overall shimmer to the vocals.



Matthew Sigley is equally a most sophisticated bass player. His fingerwork and overall high-level of playing ability was a pleasure to witness.



Matthew J. Tow played this mysterious and wondeful sounding 12-string Vox Ultrasonic guitar. I leared from a fellow-blogger I met at the show that this was indeed something of a rare instrument.




However, it was the jams that really drove it all home for me.

Check this video clip out, and see what I mean:





The show's set list. Shot "blogger syle" (upside down on the stage - with a thirst-quenching beverage perched on top).


Catching up with PSR label boss Neil DiParto and his partner's lovely wife Christen.



Hanging out with PSR honcho William Hickey and longtime label artist, singer/songwriter Linda Draper.




Supporting the Lovetones for these shows was a tuneful and energetic band named
The Young Sinclairs


Getting a chance to chat with Matthew J. Tow at the venue.

Saturday night brought us over to Williamsburg, Brooklyn.



The venue was this interesting art space / back bar / stage called Cameo,
located in the back of a cafe/restaurant called The Lovin Cup Cafe.



Hovering over the stage like a giant pulsing sea creature was this incredibly unique piece of art sculpture. Quite simple in design, it actually served as a visual amplification source for the show's lighting. It reflected all the colors being projected on it, and made for something of a most unique and stimulating light show.



It gave the vibe of one of those Wharholian loft performances the Velvet Underground played around New York in the late 1960's.



The tightly packed, enthusiastic crowd were grooving out to jams and jingle.



On this night, the band would take their jams even higher.
Witness the improvisational greatness as they take the psychedelic trip further still - all under a pulsing, undulating, shimmering art sculpture light show. Of note, Matthew Sigley's manic keyboard work.



Matt Tow's vocals, songwriting and guitar playing shows depth and maturity. There is an acknowledgment and reverence for the classic 60's era music - while at the same time, a creative desire to push it past those initial boundaries.



Matt Sigley's bass playing is sophisticated without ever being intrusive or too busy.


The show had been building progressively throughout the set - becoming more intense and energy charged. Inspired by the responsive and raucous crowd, Matthew Tow charged into the audience while still playing his guitar for the shows final song. It was a surreal experience as he swung his wireless guitar around, still very much live - and started handing it to random people to chime its strings.

Check out the video evidence of this:


It was a true edgy rock & roll moment!

The Lovetones are a unique blend of traditional, structured, song-based music - combined with frequent sonic forays into extended tripped-out jams. It's an intriguing mix worth checking out.


The Planting Seeds braintrust - Neil and William.

Corporate charge card at the ready.

Web references:



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Wednesday, April 1, 2009

She Keeps Bees - Live @ Cake Shop

One band I had been most anxious to see again, (since first accidentally stumbled across them) are the glorious She Keeps Bees. Back in October, I attended a show specifically to see another band (Philadephia's East Hundred - who are awesome in their own right). My thoughts from that show on both bands on that particular night can be found here:

http://davecromwellwrites.blogspot.com/2008/10/eh.html




Along with loving the East Hundred show, I was completely blown away by the opening act - She Keeps Bees. Just a 2 person band, they are fronted by manic and charismatic vocalist/guitarist Jessica Larabee. Her last name there is how she explains the name of the band. She also keeps the whole "bee" thing going by having a really cool "bees" tatoo on her arm. But, all that aside, it is the music here that hooks you in.

Give a listen here to their song "Wear Red" - performed here at this show:

http://www.youtube.com/watch?v=aE3Mcyq4X3U




On drums is Jessica's co-conspirator Andy Laplant. In addition to providing the essential percussive aspects of these songs, Andy also engineered the bands current album "Nests"



Jessica is such a down-to-earth, no pretention, no BS vocalist and guitar player. It's quite refreshing to see someone like this exist - especially in this day and age of every-move-calcuated performers. With Jess you can immediately tell everything she does is all about "feel". There is no sense of image perception, or 'how will this play to the audience?' It's all from the gut.

Listen in as she and Andy crush out another modern day blues ode:

http://www.youtube.com/watch?v=UsjzYSY94iY




Jess is naturally attractive - pretty. She doesn't appear to wear any makeup and her very long hair hangs in her face. She peeks through the fringe. She's tall and slinky. Add to that a great personality - one that is parts manic, humble, sweet and soulful and it's hard not to be captivated.




Here Jessica and Andy play "You Can Tell".

http://www.youtube.com/watch?v=JzJvFJMIzjg

Jessica sings "Give me one good reason. You need someone to blame. Well, I'm the one to blame"


Here's the song most mentioned in the other articles I've read about SKB - the erotically slinky "Gimme"

http://www.youtube.com/watch?v=7MLgDwu-5dQ

And there's good reason why. It's just such a great chord progression and primal drumming. Lot's of "whoha, whoah" wailing and chunky guitar strumming.




It's interesting to note that Jessica started out as a drummer. Her father was something of an accomplished percussionist himself and taught Jess to play when she was 14. That sense of rhythm is apparent in the way she plays guitar. And yet a completely competent and natural guitar player she is. The sound she gets out of it and her amp is dirty and gritty. Combine that with her rich, powerful voice and you have the makings of a modern day blues vehicle.



Andy and Jessica are so locked in together. Though their performances come off somewhat loose and casual, you get the sense they could finish each other's musical sentences.

Jessica slightly freaks out a bit in her amusing and charming way at the beginning of one song (this isn't that unusual of an occurrence) - then leads everyone through the hand-clap, drums & vocals only song "Ribbon".

http://www.youtube.com/watch?v=pZhzbH6sAYM




As she had broken a string off her own guitar, Jessica had to borrow one from one of the opening bands to continue the set.

After Andy helped her "dirty" up the sound a bit (as Jess was overheard saying to him - "how do we make this sound awesome?") and some more pre-song amusing chatter (where one fan simply shouts out "make that shit rock!") - she smiled and got down to business.


With "new" guitar and drum-stick directive.




Andy thunders in front of the ever-present Cake Shop glittering backdrop.




Jess has got soul - and she's superbad. I caught up with the band after the show and asked a few questions.
Jessica responds on her music:

"It's definitely more of a percussive thing in my head. I'm self-taught so it's not like I listen to something and can pick out exactly what it is. It's been a progression to get this sort of aggressive sound. Before I played a folkier style. I was trying for a some kind of sound, and I wasn't thinking about what made my own connection to it all. I was trying (too hard) to sound like somebody else - so it wasn't until I met Andy - and I taught him drums - then he started getting into it - and it progressed into this more aggresive thing. This led to an awakeing and release in me, and helped to embrace what was coming. That's how "Nests" was written - me just having songs and then recording them immediately after.

The first album wasn't done like that. I had been singing those song for 2 years before they were recorded."


Jessica is completely locked-in to the moment - once the song begins.

"We're leaving for Europe on June 3, so I'm super excited about that," she continued. "We have a few festivals lined up and our label over there (NAMES) is going to be putting our record out. We just found out about a festival in Croatia that we're doing at the end of August, and we're so excited about it."

Andy: "Croatia is very beautiful. I've been there once before. We're going to a tiny fishing village."
Jessica: "This village is 900 years old."
Andy: "but we'll be basing our operations out of England, though."



I wouldn't be Dave Cromwell if I didn't get my picture with my new very fave singer of all time (at that moment). But - yeah - I am thrilled that awesome Jessica is sweet, friendly and not on any star trip. I don't even think huge success would change that about her.


As they have stated, the band will be embarking on a tour of Europe from June - September, so there will be more than a few opportunities for our friends accross-the-pond to catch this exciting live show.


Important links for She Keeps Bees:

http://www.shekeepsbees.com/ww.shekeepsbees.com/

Their latest album titled "Nests" can be gotten at Other Music