's final month offers a time for revisiting music reviews composed and compiled here on this site throughout the year. The annual “
. A concise listing focused on each months entries in sequential order brings attention once again to the most engaging releases of
.
With the
New Year came a fresh crop of album and single releases that were followed by full-length recordings later on. Most of these artists have been developing their individual style for a number of years. Featured on indie labels with consistent track records, the first month of
2022 saw this site digging in to a variety of creative songwriters and sound designers.
Frequent contributors to this site
Big Stir Records rolled-out their first major album release of
2022: “
Darling Please” from acclaimed
North Carolina singer-songwriter
Chris Church. A remastering of songs recorded a number of years back, the artists re-imagined his original vision aided by modern recording studio facilitation.
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Along with the lyric-heavy vocal music frequently reviewed here, this site has also made it a point to feature quality instrumental releases at times. The Seattle-based soul-jazz groove machine
Delvon Lamarr Organ Trio first released the single “
Don't Worry 'Bout What I Do” and full album
Cold As Weiss via
Colemine Records.
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Good Eye Records introduced an exciting new track "
Boscobel," which served as the first single from new to this site band
Sooner's debut album,
Days and Nights. Sooner specializes in blending alternative rock, dream pop and gaze with romantic female lead vocals.
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The
Kool Kat Music label released “
Wish I Could See” by
Cheap Star. Fronted by Swiss-French musician
Remi Vaissiere (who wrote, sings lead and plays guitar on all the songs). A distinct 'Americana/Powerpop' vibe runs through it all due to the artists long-time relationship with seminal late 80's/early 90's
Posies frontman
Jon Auer. Brought in to produce and mix the record, Jon also plays a variety of guitars and keyboards on nearly all of the tracks. The Posies connection doesn't end there as respected drummer
Brian Young (a member of that band during their major label years from 94-98, before moving on to
The Fountains of Wayne and then
The Jesus and Mary Chain) delivers outstanding percussion on every one of these new songs.
The music of
Dead Leaf Echo is no stranger to this site, having covered their recordings and many live shows for over a decade. Notwithstanding some personnel changes one could hardly be surprised at over that length of time, the current lineup has been relatively steady the last few years. After completing their first Latin America tour, they released a six track EP. “
Milk.Blue.Kisses.And.Whalebone.Wishes” is the mysterious and poetic title, serving as something of a hybrid to the song titles on it.
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Austin, Texas heavy-groove blues-rockers
The Dizzy Bangers received a detailed analysis on their song “
Painted Bruises,” which displayed an advanced level of musicianship and lyrical mastery within the heavy rock genre.
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Equal measures of industrial electronics, heavy rock, seductive vocals, black-clad fashion glamour and spirituality are woven together in the music of
Turbo Goth. As popularity continues to grow in both their native
Philippines and adopted home of
NYC, the duo of
Paolo Peralta and
Sarah Gaugler released their album “
Awakened Imagination.”
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The always busy
Brighton, England based
Shore Dive Records contributed this month, promoting their 111th release featuring
Stockholm, Sweden's
We.ThePigs. This full-length album highlights a lovely collection of female vocal dreampop, harsh
Sonic Youth-like guitar noise and even a
JAMC “tribute” as well.
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Enticed to check out the music of already established indie rockers
Star Collector proved to be a prudent endeavor. Working in the classic 4 piece, two guitar, bass and drums formation, an impressive level of vocal harmonies lift them above rudimentary “garage band” status.
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The folks at
Shoredive Records seem to instinctively knows what will fly here at this site. Offering the labels 116th release featured an artist out of
Chicago called “
Glitter Assassin.” That cool name along with the promise of noisy guitar layered indie pop with a heavy gazer influence received the full
DCW analysis.
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Respected Label
BIG STIR RECORDS rolled out the first in a series of singles highlighting Finnish power-pop guitar group
The Bablers. An appropriate
CromwellWrites deep-dive ensued.
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An interesting musician recording under the name
Friends from Moon released a concept album titled “
Astray.” It's epic and incendiary track “
Marvels beyond Madness” garnered intense listen and review.
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The Rosie Varela Project released their album “
What Remains,” with its single track “
Fault Line” receiving a wordy investigation.
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Four exciting new audio and video releases summoned attention for the month of
May . Storied legends with lengthy discographies (still going strong) share space here with newer established artists along with debut entries as well.
Legendary gothic death-rock pioneers
Christian Death have a long history that dates back to their original formation in the
1980's. Equal parts adoration and controversy have continued to surround them ever since. Featured track and video for “
Beautiful” from their
17th studio album “
Evil Becomes Rule” received primary focus.
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Inspired by a
75 million year old rock formation in
Thailand that when viewed from above, create the visual illusion of a family of whales,
3 Robots Records indie label artists SueƱo con belugas released their epic track “
Normal.”
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With the release of her latest album “
Tresor,” the evolutionary vision of musician
Gwenno reached a new pinnacle. The title track and it's accompanying video provided a unique journey into her
Cornish and
Welsh history.
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A collective calling themselves
Seedsmen to the World released their debut album on
Blue Arrow and
Birdman Records. Combining elements of trance-drone and folk music, it's offbeat qualities sparked further investigation.
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Frequently featured label
Patetico Recordings returned to the
DCW realm with a new collaborative effort
Heliocentric Overdrive and their debut EP “
Weightless.” Their melodic-pop tracks are fuleed by a precise and frenetic delivery.
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If it seems like there is yet-another
Shoredive Records artist being featured here on this site every other month or so – well, that's because it's true. One of the busiest, most-consistent labels out there, something new, exciting and previously unheard of appears in our listening sphere that simply can't be ignored. This time it was mysterious dreamgaze from
Montpellier/Paris going by the name
40 Days Without Water.
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Another independent label discovery was the
Peruvian based
Chip Musik Records. It specializes in ambient, electronic, chillwave, experimental, glitch, dreamgaze, vaporwave and experimental artists from all over the world. Their release
Lego 15 – Pulsos de Bosques (Forest Pulses) is an extensive collection of music from
Central/South American and other international locales.
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Sometimes a record is released in a low key manner with little fanfare, and the band moves right to playing live as a means of showcasing this new material. Such was the case with
Tight Lips debut
EP, which was released at the end of
March. With bands and audiences reconnecting at live shows again, the opportunity to focus on this previously uninvestigated recorded music presented itself.
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The good folks over at
Big Stir Records released a full-length album by
LA psych-pop rockers
Maple Mars. Titled “
Someone's Got To Listen,” it's the band first album in over a decade, and debut for this label.
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Andres Alfonso Lugo is a
Baltimore-based recording artist who's work has been featured here on
DCW numerous times. While those previous reviews focused on the bands he belongs to, the current work here being delved into is his solo project
Los Dientes Hundidos en la Garganta. With that phrase translating into “
the sunken teeth in the throat,” the music created is less ferocious (though still quite powerful) than that expression would suggest. Andres provides guitar, loops, programmed drums, bass and synth, while enlisting contributions from Ferran Pont Verges (Die Noia Futuriszka) with guitars, voice and mixing on "
Loops of Energy."
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Receiving news about a new project involving long-time fave
David J (of
Bauhaus and
Love & Rockets fame) is always welcome. Busy as he's been over the last few years with revived live shows, hearing about brand new songs and group collaboration peaked curiosity. The debut album “A Free Society” by newly minted combo
Night Crickets also includes Vincent DeLorenzo (from
Violent Femmes) and multi-instrumentalist
Darwin Meiners. Drawing their name from a conversation about something
David Lynch said, the recordings came together via audio files shared between
Los Angeles, Milwaukee, London and
San Francisco. Their music video and song “
The Unreliable Narrator,” received a detailed review.
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An inquisitive individual who records and plays live music under the moniker
77 Apes caught the attention of
DCW through their steady persistence. It is a solo artist endeavor where lyric-heavy songs are accompanied by acoustic and electric guitars, fleshed-out with background rhythm tracks.
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The original full review writing on all of the above bands (complete with links or song embeds) can be found here.
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Longtime friends of this site
The Stargazer Lilies released a video for first single “
Bending The Lines” in advance of their
5th studio album release “
Cosmic Tidal Wave” via
Floravinyl Records. The track and video receives appropriate fragmented windswept reverie.
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The steady output from
Philadelphia's
Patetico Recordings assures ample opportunity for frequent reviews here on this site. This particular month saw the release of “
From the ashes” by
Stellarscope, which featured a precision review of single track “
All the lies.”
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Influential bands of the
90's continued to re-emerge with new material, which was welcome news to audiences who have missed them. Consider the
Portland trio –
No 2 – back with their third album, but first in a number of years. Fronted by Neil Gust who originally shared songwriting duties in
Heatmiser (along with Elliott Smith),
No 2 rose out of that bands ashes in the late
90's. The album titled “
First Love” was released on
Jealous Butcher Records.
Heavy blues rock has always been a particular favorite here at this site, and nobody does it better than
Austin, Texas-based
The Dizzy Bangers. Though relatively new here to the DCW orbit, a number of reviews have already made their way into prior features. The band returned once again with a new video release for their song “
Painted Bruises,” earning additional commentary and analysis on it.
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Turning attention once again to one of
Shoredive Records releases found this site focusing on the recording project
Xeresa. Simply titled “
IV” (as in album number 4), the fully named Nicolas Pierre Wardell (previously only known as Label boss
Nico Beatastic) serves as the bands primary catalyst. Painstakingly recorded between
2019 and
2022, each song features guest vocalists, some who have full releases on the parent label. Each track was built in the more common now than ever way of sending instrumental basic tracks to each respective artist for their creative additions (predominantly vocals).
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UK Power Pop Rockers
It's Karma It's Cool released the track “
A Gentle Reminder,” accompanied by an in-studio style video performance, providing visual imagery of the band performing. This perfect slice of powerful pop music received a full
DCW breakdown.
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It had been a year or two since new
Lunar Twin music entered our universe. The enigmatic west coast duo returned with “
Beyond The Sun,” the first single release from their upcoming album “
Aurora.”
Bryce Boudreau (vocalist/songwriter) and
Christopher Murphy (multi-instrumentalist/producer) continue to expand on their sonic vision with this new material. “
Beyond The Sun” received a close listen and complete review. A full nine track album is due soon, with another track “
Android Dreams” available now to acquire and listen to.
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Returning here for another review is the work of Baltimore-based recording artist Andres Alfonso, who makes solo music as
Los Dientes Hundidos en la Garganta. While that phrase loosely translates to “the sunken teeth in the throat,” Andres composes his ambient works with guitars, bass and heavy looping. What comes out of that are wonderfully dreamy experimental ambient electronic soundscapes. The second single “
Configurations” from latest album “
Infinite Past” on
Jak Jonson Tapes has recently dropped, and got the full review treatment.
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An in-depth
Interview and hotly anticipated
EP Review shared space with two full-length, track-by-track reviews from trusted labels and artists. With one returning and another first-time creator receiving detailed analysis on their latest recordings, the quest to make sense of it all carried on without limit.
When press releases about a new band called
The Buckleys started showing up via email over the last two years, an appreciation for the music and image they were producing was instantly felt. With the band recently coming to
New York,
Nashville and
LA for press stops and personal appearances, I was honored to catch up with them for a face-to-face interview.
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Back in
May of this year, ambient dreamgaze collective
SueƱo con belugas were reviewed here on
DCW for their introductory track “
Normal” in anticipation of upcoming album “
Memoria CĆ³smica.” With the release of that full eight song album, a chance to dig deeper into their sound presented itself.
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Bookending
Big Stir Records first major album release of
2022 (as mentioned here at the beginning of this Feature) was their final release of the year, “
Sounds In English” by
Sweden’s
Richard Ćhrn. Best known as the guitarist and one of the songwriters for the indie pop band
In Deed, this release serves as his solo debut.
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The Kings and Queens of that glorious
Astoria music scene –
GIFTSHOP, performed two notable live shows that certainly qualify for “
Best Of 2022” designation. Back on the final day of
April the band played at
Otto's on
NYC's lower east side as part of a benefit to aid
Ukraine.
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Treating the audience to many of their classic tracks like “
Despicable,” their careful selection of classic covers contribute to a total live show experience. Check out their glorious rendition of
The Cars “
Just What I Needed”
on this night right here.
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A more recent show went down earlier this month at beloved
Astoria, Queens venue
The Shillelagh Tavern. With dazzling frontwoman and lead vocalist
Meghan having morphed from platinum blonde to bright-fire redhead, the band ripped through another killer set of originals and choice covers.
Opening with perennial favorite “
Purchase,” they hit the ground in high gear and everything was “
soo good – soo good.”
Was great to hear an updated version of “
Same” which also included room for
Jordan to showcase his drumming skills. There was the how-does-she-do-it hyper-speed vocals on “
Things I Feel.”
Damian and Matt - axe-slingers on the corners.
Other enjoyable tracks played were "
Stylish Junkie," "
Spooky Halloween Christmas" along with bring-the-house-down covers of "
Creep" and "
Only The Lonely" (a clip of which can be heard at the end of
this Instagram Post here).
All Aboard For Fun Time!
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