Best Of 2021: The New Music Year In Review

2021 featured a steady flow of new music here on this site, from both long-time faves and first-time reviewed artists. A return to live show coverage began mid-year, with recorded music still making up the bulk of detailed analysis. Compiled here in monthly chronological order are the most compelling features that represent “DaveCromwellWrites Best Of 2021.”

Early January dipped into the bottomless well provided by Shore Dive Records, with the stunningly beautiful album “Summerheads And Winter Beds” by The Raft. Conceived by songwriter and multi-instrumentalist Phil Wilson (who has been writing, recording and performing under the name The Raft since 2003), an elite group of dreamy female vocalists are employed throughout the album, providing necessary lush counterpoint to Phil's own voice.

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Another release at this time from Shore Dive Records was the debut EP by French duo Tender Tones. Cleverly titling this record “Youth Retirement Club,” Manon Deruytere & Maxime Pargaud delve into the nostalgic side of gaze, synth and dreampop. The Ep serves as a partnered co-release between ShoreDive and American label Somewhere Cold Records.

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The specialty music publicity brand New Dark Ages PR has also provided a steady stream of new and established artists to this site. Focusing on Gothic/Industrial, EBM, Black/Death/Heavy Metal and Hard Rock, there's always something compelling to dig in to. The January entry on DaveCromwellWrites radar was Goth-Industrial artist Night Terror, with their new full-length release “Freak On The Inside.” This solo work of musician Jeff Heveron presents a unique blend of deep goth-style vocals (straight out of the Peter Murphy school) with synth-driven industrial grooves.

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Full reviews on all of the above can be found on this site right here.

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Pulling together a collection of songs written and recorded over the past two years, Indiepop veteran Tom Lugo released the Panophonic album “AWAKENING” during the month of February.  The Philadelphia based musician has been running his own independent Patetico Recordings label for a number of years now, putting out a steady flow of albums, EP's and singles with a variety of bands and collaborations.

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Another album finding it's way into the DCW realm during the month of February was the retro psych-pop “A Dream Without Color” by Long Island's own The Crushing Violets. The record features six new original songs as well as a cover of the 1966 hit “A Groovy Kind of Love.” Placing emphasis on vocals and storytelling over any kind of extended instrumentals, most songs clock in under three minutes in length, with one each cracking three and four minutes respectively.

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Link through to the full feature on the above bands here.

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It's easy to see the appeal of Queens, NY-based edgy power-pop duo Yo Kinky. The duo of Laura Wight and Tom Unish created an enticing five song EP that came accompanied by a number of attractive, cleverly realized videos. Released at the end of February, a full track-by-track review lead off the month of March DCW Feature. With guitars, keyboards and drum machines providing the musical foundation for each excellent song, Laura's lyrics and vocals helps to set them apart from many other male/female duos.

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A much needed (now more than ever) new organization called Freedom Of Creativity connected this website with an excellent band out of Austin, Texas – The Dizzy Bangers. Fronted by guitarist and vocalist Jimi Dharma, the music combines rock and roll with grunge, blues and psychedelia. One of their releases at this time “Under The Sorrow” came complete with an impressive live-in-the-studio video, enhanced by animated effects, and garnered a complete detailed review.

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Rob Clarke and The Wooltones hail from the UK Liverpool suburban village of Woolton.  Among other things, the area is noteworthy for John Lennon's childhood home as well as he and Paul McCartney's first meeting place. Rob Clarke incorporates elements of this history into his music, along with a variety of other influences as well. On the bands latest album “Putting The L in Wootones,” a heady mixture of 60's psych, UK/Mersey and American West Coast vibes permeate the album's eclectic tracks.

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Follow this link for complete reviews of these artists.

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The month of April saw three  separate recorded works receive this sites distinguished individual track analysis.

Finding their way into the DaveCromwellWrites universe for the month of April was the Burbank, California music label Big Stir Records. Based out on the West Coast USA, the label features artists from all over the US, UK, Sweden and Germany. Label runners own band The Armoires released an 18 track full-length album, initially delivered in a series of mysterious single releases that culminated in the collection aptly titled “Incognito” received deep dive track analysis.

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Another Big Stir release - The Forty Nineteens and their album “New Roaring Twenties” peaked a level of curiosity that continued incrementally, wading through it all. Forming the band while working in the San Diego courts, they landed on a name that is something said by every judge in every courtroom in the state of California. That term is "Forty Nineteen," and a 4019 credit is time off the sentence of a detainee who behaves in jail. Their music is pure form rock and roll, that illustrious hybrid sound encompassing the 1950's collision of Country with Rhythm and Blues.

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It's rare that too much time passes before another Shoredive Records release turns up in a DaveCromwellWrites review. This time a Russian collective calling themselves Secrets Of The Third Planet (which we all know from Jimi Hendrix's “Third Stone From The Sun” - is Earth) reissued a 10th Anniversary Edition of their EP “Lost In Reverie.” Originally recorded and released in 2011, the new-to-this-writer tracks encompass that timeless sound of all the great “gazey” bands.

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Link to the full reviews of all these bands here.

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Sometimes the name of a band can provide a level of confusion that often undeservingly puts them on the backburner. Take Tashaki Miyaki for example (pronounced Tah-Shock-ee Mee-Yock-ee). Sounding like a singular Japanese solo artist, the images of a willowy red haired woman as their out-front focal point and dreamy sounding vocal music never quite seemed to match up. The periodic promotional reminders (mostly via email) over the years – with the latest coming for this month of May – finally put an end to all of this procrastinating. Simply put, attention to this band that makes the most wonderfully dreamy, melancholy music was long overdue.

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Once again trusted source New Dark Ages PR introduced another impressive artist from the depth of their diverse talent pool. The May entry, based out of Chicago as "one-woman industrial army" I YA TOYAH entered the realm via her EP, Out Of Order and video for the single, "Pray."

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The late April release (and May reviewed here) track by UN.REAL “Sun Like Star” is a heady uptempo affair. Anchored by songwriter/musicians Hector Caolo (bass), Eden Cruz (drums) and Gardy Perez-Ruiz (guitars), lyricist and vocalist Bernice Cruz completes this dreampop quartet. The track bursts out from the first note in full bloom, with slashing gaze guitars in lavish expanse across the sonic field. The bass and drums are thoroughly audible in the mix (as they should be) pointing to impressive production values and recording techniques. Capping it all off are Bernice's deep and resonant vocals. A final minute of pure instrumental and vocal euphoria lifts this gorgeous track to it's ultimate conclusion.

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The complete reviews on all of the above bands can be found here.

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The recorded works of four new and innovative artists got the Croms-eye-view deep dive analysis for the month of June.

Every once in a while a band will jump out at you from the ocean waves of promotional material that comes through over the wireless here. Making note of an instant liking for a quintet with the curious name Spud Cannon, a double-back on subsequent promotional singles releases confirmed their “must review” status. The release of their album “Good Kids Make Bad Apples” shows every song exhibiting high-level vocal harmonies, catchy melodies and precision instrumentation.

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Contributing their track “Liquid Through My Hands” to Chicago, Illinois indie-pop label Sunday Records compilation Something Beautiful, Sheffield UK based indie-gaze band The Suncharms saw their work standing out amongst like minded artists.

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The always busy Tom Lugo continued to put out new music via his indie label Patetico Recordings under a variety of band names (both solo and collaborations). Already featuring his full-length Panophonic album “AWAKENING” here in this year-end Best Of, the June single release “The Last Time” has earned those honors as well.

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Big Stir Records introduced another Best Of entry in the form of accomplished psychedelic pop troubadour Anton Barbeau. Specifically his single “One Of Her Superpowers” which encapsulates this artists rare chemistry in a radio friendly two and a half minutes.

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The original full review writing on all of the above bands (complete with links or song embeds) can be found here.

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July is always one of the best months for new music. You are deep into the heart of summer yet still far enough from it being over to have any real concern with all that. For this month DaveCromwellWrites featured both new and returning artists, all with recently released material. Horizon's were expanded with this eclectic collection.

Perennial CromwellWrites faves GIFTSHOP returned with not one but two brand new tunes. The newer written composition “More Than That,” packs more into it's barely over two minute frame than most of the repetitious, overlong excess churned out on a daily basis. Backed with “Kewl With Me,” a song that's been around for a number of years but never quite found it's way into the studio for a proper recording until this point in time.

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Making their way onto this websites radar during this month were Brooklyn-based neo noire rock'n'rollers Toshio Band. Finding inspiration from a variety of film makers (Quentin Tarantino, Jim Jarmusch), poets (William Blake), jazz innovators (Charles Mingus) as well as literary rockers (Iggy Pop, Tom Waits) serves as a wide and disparate pool to draw from. Lead singer and bassist Tim Lavigne pilots the project through songwriting and sound design bringing all these influences together in a modern rock and roll format. Their recently self-released EP “Lock Your Doors” is a five song concept EP that explores themes of madness and melancholy in an unforgiving world.

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Another eclectic collective weaving it's way into the CromwellWrites universe are a San Diego, California-based duo that go by the name Corduroy Institute. Having recently released a new album titled “Eight/Chance/Meetings,” the creative members adhere to an “institutional methodology” emphasizing improvisation. Additionally, their lyrics were formed using the cut-up method (or technique), which is a type of found poetry that has its roots in the 1920's Dadaists but was popularized by writer William S. Burroughs in the late 1950's and early 1960's.

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Psychedelic documentary film-maker Matt Levin previewed a new project in the works on the life and times of influential musician, writer and painter Will Carruthers. Most psych-rock fanatics know him as an innovative bass player in seminal bands Spacemen 3, Spiritualized and The Brian Jonestown Massacre. With the clever title "Nobody Gets Fat Eating Music," Matt combined an informative live interview with brilliant animation and in-depth analysis for a uniquely immersive experience. The Cromwell breakdown on this Translove Airwaves production is fully notated.

This film received entry for showing during The Psychedelic Film and Music Festival.

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Read all the reviews on every artist in this feature here.

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The ability to attend live music shows out in public with your friends once again had been a long time coming. After a soul-crushing shutdown / lockdown of 2020 that continued into early 2021, it wasn't until mid-year we finally got back to in-person appearances. Summer in NYC and adjacent Long Island has always provided many opportunities for mostly-free events in open park theaters as well as clubs and restaurants. Along with a variety of recorded music both new and vintage covered in this sites August feature, came a long-overdue return to live presentation recaps.

Among her many talents and accomplishments, Laura Schaefer is an impressive singer in the soft rock, country, adult contemporary, and pop music realm. Catching a recent run of live appearances both indoor and out in the open street festival environment showed the performer captivating audiences with her nuanced vocal interpretations. Appearing on Sunday night's during these summer months at the highly-regarded Westbury, Long Island restaurant Cassariano, the duo act of Laura and Bill (with the equally accomplished Bill Blais on keyboards and vocals) entertained patrons with a dramatic set of classic cover songs.

In addition to her current collaborators and bands frequently offering guest vocal spots, Laura co-wrote and released a number original songs as the lead vocalist in a band called Blue Mile. A full review of that record appears in the August Feature.

Street festivals are always a great place to check out live music on a warm summer night. A band Laura has been doing some guest vocal appearances with are the wonderful Americana Country Rockers Tri State Alehouse.

Core members Jonathan Crist, Jeff Schumacher and Mark Ambrosino wrote, produced and released 12 original songs (and one surprising cover) on their album “Open Here” with a variety of guest co-songwriters and musicians.

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Continuing their relentless quest for sonic excellence, Ottawa-based Paragon Cause released their third album “Autopilot.” Expanding on the auditory palette they've been building since their first two albums “Lies Between Us” and “What We Started,” (both meticulously reviewed previously here on this site) a bolder evolution in composition and sound design was delved into.

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Full coverage of all the above artists can be found here.

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Relationships are a significant driving force in much of what appears here on this website. Trusted record labels and artists who've previously shown appreciation for detailed analysis on recorded music meaningful to them are prioritized. Finding new composers and their unheard works within that framework will always continue to expand this overall field. Finally, losing a four-legged family member is heartbreaking, and celebrating the life-affirming years spent together is the best way to honor them.

There never seems to be too much time passing before another ShoreDive Records release finds it's way into the DaveCromwellWrites reviewing sphere. The independent Brighton, England based label provides a continuous supply of high-quality dreampop, gaze, electronica, post-rock and post-punk releases. Landing in the DCW mailbox in September was a six-song mini-album debut from Lyon, France residents Lunation Fall. Titling the collection “Near,” their mission to blend melancholic dreampop and explosive noise was fully achieved and given a full track-by-track review.

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This past June saw DaveCromwellWrites featuring a detailed review of England's The Suncharms first preview from their 30 years in the making (!) proper full-length debut album. With the release of “Distant Lights,” ten full tracks (with two bonus cuts on the CD release) were given deep-dive treatment.

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On September 13, 2021, beautiful boy cat Nicky crossed over the rainbow bridge after 14 wonderful years on this planet. He was the most perfect cat you could ever be so blessed to share this life with and will be sincerely missed.

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Check out the full coverage on all the above here.

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October caught the Cromwell range of view fully engaged on new recorded works from artists either previously featured here, or first time entries to this site. All showed musicians taking their creative ideas - much of it developed by way of live show performances over the years, and forging it into high-quality studio recordings. Each artist exhibited true emotional commitment to their respective style of music.

A band this site had been keeping a close eye on over the last year or – The So Lows released a new album ‘Times Not So Weathered,’ and received a most-worthy DaveCromwellWrites track-by-track review analysis. Led by the singing/songwriting duo of Molly Miller and Ronnie Rael, the sophomore album is the first to feature Troy Krusz on slide and lead guitars, Barron Preuss on bass guitar, and Haven Willis on drums.

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Adam Lippman is an indierock singer-songwriter who's been close with the DCW world here for quite some time now. In fact, first contact was established nearly a decade ago. However, his long musical journey goes back much further as a member of various noteworthy bands from the mid 1990's up until recently. Inbetween he released a few solo albums and EP's, while playing well-known tri-state area clubs and festivals as a supporting member as well as fronting his own bands. Adam returned with his first new solo music in 15 years. Lead single “Sunblind” received a detailed in-depth review.

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Finding their way back once again into the DaveCromwellWrites universe, Sydney, Australia based gazey-noise-rockers Trillion released a new single “Sure” on the 27th of October. Having covered their work extensively over the last two years (with the band making “Best Of” in both 2019 and 2020) “Sure” received a full detailed review and makes the “Best Of” for the third year in a row.

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Read full-length reviews on all of the above artists here.

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The best recording artists put as much creative effort into every song they choose to include on their album. While standout tracks may appear, there is a consistent quality to each track on it. Those full-length albums deserve to be carefully listened to, from first track to last. This site makes a point to review those albums track-by-track, leaving no stone unturned. It's the deep dive and detailed analysis that sparks creative exploration and new experiences. Two full albums for a total of 19 songs received the DaveCromwellWrites focus during the month of November. One more life-in-review memorial to a dearly departed animal companion closed out the month (and year) in a heartfelt manner.

Burbank, California based music label Big Stir Records continues to provide a deep catalog of wonderful new music. With their reach expanded internationally, there is a treasure trove of high-quality recording artists there, well worth checking out. The November release of Nick Frater's “Earworms” earned itself instant classic status and a complete DCW track-by-track review.

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Another November release that received a CromwellWrites full review (and now qualifying for end of the year “Best Of”) is “Winter Skin” by psychedelic dream pop and gazey indie music band EEP. Released on the local Hogar Records label, the 9 original tracks were produced and engineered by the band themselves, with recording and mixing done at Brainville Studios in Sunland Park, New Mexico.

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November also saw precious baby girl cat Cherry crossing over the Rainbow Bridge to be with her twin brother Nicky, after 14 years of joyous life. She was the most perfect chubby cat that ever lived and she will be missed and remembered forever.

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Full reviews of everything in this feature can be found here.

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Accumulated Reflections on New Music and Memorial Tribute

The best recording artists put as much creative effort into every song they choose to include on their album. While standout tracks may appear, there is a consistent quality to each track on it. Those full-length albums deserve to be carefully listened to, from first track to last. This site makes a point to review those albums track-by-track, leaving no stone unturned. It's the deep dive and detailed analysis that sparks creative exploration and new experiences. Two full albums for a total of 19 songs receive the DaveCromwellWrites focus here. Finally, the loss of a beloved animal companion is never easy, and celebrating their influence on all those affected helps keep their spirit alive. 

Burbank, California based music label Big Stir Records provides a seemingly endless amount of wonderful new music. With their reach expanded internationally, there is a treasure trove of high-quality recording artists there, well worth checking out. The latest to find their way into the DCW sphere is the album “Earworms” by Croydon, England's Nick Frater. Scheduled for full release on November 19, a complete track-by-track review is given the CromwellWrites treatment right away.

Opening track and the album's first single “It's All Rumours” comes with an official video expanding on the cover collage image approach. The audio jumps out of the box immediately with rough-edged guitar riffs over a powerful rhythm-section progression. With visual images showing classic memories from days gone by (“get the BIG SOUNDS with Sears Instruments” and “give the new, big Sound Of Now”) fresh faced youngsters behind drum kits and winking gals with guitars at the beauty parlor double-down on 1960's-1970's nostalgia. As the vocals commence (an instantly likeable voice in that Nick Lowe/Dave Edmunds mid-range) key lyric punctuations like “hit the ground” and “run-around” are displayed in bold type over more eccentric video images.

The rhythmic vocal cadence and lyrical delivery share similar qualities with the Paul McCartney and Wings 1975 back-end hit single “Rock Show,” further adding to the songs appeal. “She sells her story to the Daily Hell” (surely a reference to British Tabloid “The Daily Mail”) - “don't trust a word it's only kiss and tell” provide clever lyrical turn, with graphic emphasis in the video as well. “Did I stay? That's what they're starting to say” commences a perfectly constructed bridge. It all leads in to the falsetto sung, wonderfully hooky sing-along-chorus, appropriately centered around the songs title-line, capped at the end with a Beatles-esque “Ahh!” (or is that an homage to Freddie Mercury/Roger Meadows Taylor's combined voices in Queen). Embedded inside all of the lyrical examination is a basic romance story (of sorts) where “staying the night again” ultimately leads to “they don't know what to believe,” because – well – “it's all rumours – lying in your arms tonight.” There's even one more change section two-thirds of the way through serving up additional sonic elements (moving into 10CC piano territory) along with more curiously amusing found and reassembled imagery, with Mick Jagger showing up multiple times.

Listen and check out this wonderful song and video here:

The album's second cut “Buggin' Out” blends more Beatle-y inspiration, establishing a similar vocal cadence to the Paul McCartney penned “Wait” (from 1965's “Rubber Soul”) on the verse, along with “doo wop” background vocals on the chorus. “We could be breaking out – making out – staying out way too late” encapsulates the enthusiasm that chorus imparts. “What's with Your Heavy Heart?” chugs along with pop earnestness, propelled by some particularly whip-crack drumming. Another dip into Beatles vocal stylings (at least to this writers ear) comes on the “always rolling thunder and hiding undercover” change section. There's even a George Harrison-style slide-guitar hook fill for good measure.

Syrupy strings and bonkers synth twiddles introduces fourth cut “Lucky Strike.” Keyboards stab out the chord progression while up-in-your-ear vocals establish this lullaby tale. Soon enough the full band is engaged along with sugary background vocals to enhance the proceedings. “Making the same mistakes – over and over and over again” eventually gives way to “maybe soon we'll see happy endings on the horizon.” Impressively blistering tandem guitar soloing adds a near prog-rock tip to the whole proceedings.

The album's longest track (at 5:10) is also arguably it's best, with the heart-tugging ballad “Star-Crossed.” The smooth 70's am radio vibe is immediately apparent with it's soft “ooooh” background vocals, again bringing to mind the genius of band like 10CC or even Fleetwood Mac. Cool lounge electric piano and a powerful rhythm section of prominent bass guitar and drums provide the musical force for unfolding lyrics. “I would like – to leave in the morning. I won't ask – to know where your going.  Alll night – you keep yourself together – I won't ask again.” A song about personal relationships for sure – but listening can also furnish comfort and emotional release for anything you've ever loved. The rising background vocals behind lyrics “and I would like – to know where your heart IS – star-crossed once again” bring the title-line into focus. Piercing lead guitar riffs as bridging interludes echo both melody and sentiment with equal measure.

Questioning dogma is never a bad thing (regardless of whichever side it's coming from) and sixth track “Not Born Again” does that well. Embedded within a driving pop-rhythm is the lyrical refrain “you say that we never can play, 'cause baby you're not born again. But I pray we can make it this day, 'cause baby I'm not born again.” Much like Pete Townshend's “Won't Get Fooled Again” and his ultimate declaration “I'll get on my knees and pray - We don't get fooled again” we all eventually embrace our own “hypnosis.”  Discovering that seventh cut “Desert Ships” is based (at least partially) on legends of treasure ships buried in the California desert, a bit of research was in order. It seems there is some evidence to bear this out. The globe is a fascinating place, especially when digging deeper in it's rich, historical layered past. The the track itself is a piano driven, bright guitar-lick enhanced chugger, lyrically presented as a date stamped travelogue. “Palm Springs '75,” “Cat Walk '73,” “Fat Chance '71,” “Short Shrift '74” are all referenced, while a quick-delivery guitar solo supplies agile musical interlude.

A buzzing violin approximation and strong piano chords sustain dominant musical accompaniment on the sentimental, Paul McCartney-esque “The Unbroken.” Primary hook “cross your heart another day, holding on for us to stay – I heard you say” evoke the spirit of classic Beatles ballads, like “The Long And Winding Road.” The synth-driven “Who Says I Need A Plan At All?” elicits David Bowie's “Space Oddity” vibe, with that particular mellotron sound riding high throughout the mix. Doubling up on the ¾ waltz time to a steadier rock 6/8 allows the track to stand out from the album's previous, more pop oriented cuts. Closing entry “How to Survive Somebody” builds around that room-echo piano sound so prominent on Supertramp songs like “Goodbye Stranger.” This track moves at a slower pace – a true piano ballad – before ultimately bursting into full band and background accompaniment. Exploring the eternal subject of “knowing someone well” the title line turns the table from 'you' to 'me.'

"Earworms" by Nick Frater is out November 19 on vinyl, CD and all digital platforms.

Acquire the album via the Big Stir Records store.

Connect with Nick Frater here.

Previous Features about Big Stir Records on this site can be found Here and Here.

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EEP is an alternative rock band out of El Paso, Texas that plays a varied style of psychedelic dream pop and gazey indie music. Their latest album “Winter Skin” was released earlier this month, and features nine original, wide-ranging songs. Released on the local Hogar Records label, the tracks were produced and engineered by the band themselves, with recording and mixing done at Brainville Studios in Sunland Park, New Mexico.

Opening cut “Hanging On A Wire” makes clever use of muted ambient textures as it's sonic introductory point, before the clear, undistorted vocals begin. “You left me hangin on the rebound,” begins the pointed story of a one-sided affair. As deep level drumming kicks in, off-kilter tones share space with guitar power chords, leading into a soaring cascading vocal chorus. The dynamic flow is impressive, moving from elevated multi-layered vocals to spacious interludes with extended note guitar structures. A rhythmic shift develops under subsequent vocal passage “do you even care - why am I am I am I am I am I am I am I am I,” as forceful snare drum shots and buzzing guitars drive it all along.

Follow up track (and single release) “No Inbetween” sprinkles extra percussion on top of a decidedly rock solid drum beat and out-front bass guitar progression. The vocals commence in full shimmer mode stating how “you always compare something to everything.” A solid background sheen of voices creates an angelic halo around the singular lead vocal lines. As the essential change presents itself, a subtle downward shift can be felt on the lines “lay your judgement down for once - let it fly away from you.” Points must also be given for the cool “wah-wah” guitar solo and the coining of new word “inbetweenin'.”

Third entry (and also a single) “A Message To You” takes a clearly defined song structure and blankets it with pummeling rhythms, shearing guitars and wall-of-sound vocals. It's more than simple dreamgaze (although including the lyric “story in your gaze” is a clever touch), packing much more punch overall. While the opening chords emphasize a softer jangle, triumphant drums and buoyant bass guitar fills point the way to a coming force. This explosiveness hits in full motion, with stomping percussive beat, enveloping guitars and multi-layers of elongated vocals.  A minute in and right to the bridge, “it's so hard to explain” sparks those pleasure sensors in your brain as it should. That arousal is extended further with a Chorus that takes one single line and turns it into an uplifting celebration of hope. With the primary voices ringing that out, a chanting background vocal call-and-response approach heightens sensations further. A final beatless, ambient coda emphasizes the songs overall message of honest revelation, and that sometimes “it's ok to cry.”

One more single release, Ángeles is delivered entirely in the Spanish language, and features two guest percussionists playing the Djembe. According to the Bambara people in Mali, the name of the djembe comes from the saying "Anke djé, anke bé" which translates to "everyone gather together in peace" and defines the drum's purpose.   Fifth cut “Today I Woke Up” employs the ¾ (or is that 6/8) time signature for that alternative 1-2-3 waltz effect. The guitars are jangly, and the descending progression benefits from a dominant bass guitar pattern adding counter-melody movement. Inventive lyrical turns “the powers of my weirdness” and “crocus bulbs of irrepressible audacity” add psychedelic insights.

“Stubblefield” pivots deeper into the psychedelic realm, utilizing backward playing, reverse instrumentation effects, hypnotic repeating drum pattern and bold extended guitar notes.  Additional psych-rock elements include inward-trip lyrics “if we turn around and go back to where we started, we just might understand all of the reasons why we parted - if we turn around and go back to where we parted, we just might understand all of the reasons why we started.” Sharing a similar auditory experience with The Beatles “Tomorrow Never Knows,” the sequence-shifted layering of voices and periodic submergence under guitars pitches this track closer to true gazey-rock.

“Stargazer” surfaces via otherworldly repeating bleeps and patterns before being joined by elastic-bending guitar textures. A full minute of this outer-space ambience flows until measured bass guitar and light-ticking percussion eventually joins in. Making lyrical references to “death,” “En plein air”(French translation: “in the open air”) and “Auvers,” the songs title (and content) appears to be referencing Vincent van Gogh's work and ultimate tragic end. A distinct tempo shift downward occurs at the songs midway point, emphasizing spacious ambience. The repeated closing mantra “life's for shooting man,” ultimately morphs into stark piano chords and a gentle floating away.

A singular driving guitar riff ushers in eighth track “Time Crunch.” As the band kicks in, forceful propulsion comes by way of hammering drums, vigorous bass and crunchy guitar chords. The verses roll out with syncopated snare-accented percussion underneath, while a larger sonic wall of gaze explodes on the lyrical “I've been watching you go” repeated passages. There's a holding-level interlude where dual harmony vocals repeat “under your nose,” leading into an extended intensity segment focusing on “I've been watching watching - I've been watching you go” once again. A final synth accompanied segment conclusively states “you've surely returned from a dream to discover- you've been dreaming your life away.”

Final entry “Slow Down” does just that, with it's measured pace and understated instrumentation. Focusing primarily on sincerely felt lyrics and vocal delivery, the album's title is revealed with the lines “Shed your anxious shaking Winter Skin - And let yourself be something new again.” A song of understanding and acceptance of the life cycle, it serves as a fitting conclusion to this truly inspired collection of songs.

Listen to every gorgeous track here:

Find out how to acquire "Winter Skin" and the band's entire catalog here.

Connect with EEP on their Social Media Here.

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On November 10, 2021 our precious baby girl cat Cherry crossed over the Rainbow Bridge to be with her twin brother, after 14 years of joyous life.  She was the most perfect chubby cat that ever lived and she will be missed and remembered forever.

Cherry came to us as a baby kitten with her brother in 2007.

She was a sweet and gentle cat who would purr up a storm at a moments notice.

Like most sibling pets, or those that arrive together, the bond of snoozing in close proximity (or actually on each other) was a very frequent activity.

Donning a holiday appropriate festive hat was certainly not out of the question.

Paws and claws out for a good solid stretch.

Helping out with the computer or around-the-house decorations was one of her specialties.

An open box is always an endless source of fascination.

Gettin' a leg up and chubby snooze-a-thon.

The endless fascination with and secure feeling of a sturdy cardboard box.

Cherry was a beauty and a wonderful companion.  We will never forget her.

Pawprints forever.

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